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To the Last Drop – Affective Economies of Extraction and Sentimentality
The romance of extraction underlies and partly defines Western modernity and our cultural imaginaries. Combining affect studies and environmental humanities, this volume analyzes societies' devotion to extraction and fossil resources. This devotion is shaped by a nostalgic view on settler colonialism as well as by contemporary »affective economies« (Sara Ahmed). The contributors examine the links between forms of extractivism and gendered discourses of sentimentality and the ways in which cultural narratives and practices deploy the sentimental mode (in plots of attachment, sacrifice, and suffering) to promote or challenge extractivism.
Ladies in Arms
In contemporary popular culture, armed women take center stage - but how can they be read from a feminist perspective? How do films, comics, and TV series depict the newly fashionable gunwomen between objectification and feminist empowerment? The contributions to this volume ask this question from different vantage points in cultural and literary studies, film and visual culture studies, history, and art history. They examine military and civic gun cultures, the rediscovery of historical armed women and revolutionaries, cultural phenomena such as gangsta rap, narcocultura and US politics, Bollywood and French cinema, and distinct genres such as the graphic novel, the romance novel, or the German police procedural Tatort.
Lexicon of Global Melodrama
This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonâmbula, and Tokyo Story.
The Aesthetics of Collective Agency
Twenty-first-century Western culture is characterized by profound transformations in its forms of collective organization. While traditional institutions of Western liberal democracies still wield significant political power, new forms of collective agency – most visible in progressive social protest movements, but also in the global rise of populism – have increasingly put pressure on established systems of collective organization. The contributors to this volume explore the social, political, and aesthetic forms that collective agency takes in the twenty-first century across a variety of media, including social platforms such as TikTok, multiplayer video games, and contemporary lyric poetry.
Ecocritical Explorations of the Climate Crisis
Ecocritical Explorations of the Climate Crisis expands postcolonial precarity studies by addressing the current climate crisis and threats to the habitability of the planet from a range of ecocritical and environmental perspectives. The collection uses planetary thought-action praxis that acknowledges the interconnectedness of all forms of life in addressing the socioecological issues facing humanity: accelerating climate change, over-exploitation of natural resources, and the Global North–South divide. With reference to contemporary cultural productions, such praxis seeks to examine the ideas, images, and narratives that either represent or impede potential disasters like the so-called si...
Concrete and Plastic
"Plastic and concrete are two of the most important and ubiquitous materials of the modern age. This open access book brings these two materials together, using a wide range of sources, including novels, essays, travel and nature writings, films, advertisements, policy documents and (popular) science writing to examine the ways in which we invent, and re-invent, the world and worlds we inhabit"--
Christus (m/w/d)
Gott ist in Jesus Christus Mensch geworden. Aber warum als Mann? Anselm Schubert zeigt in seiner faszinierenden Darstellung, dass von der Antike bis zur Gegenwart immer auch andere – weibliche oder androgyne – Christusbilder wirkmächtig waren, und führt uns so ein unbekanntes, erstaunlich diverses Christentum vor Augen. In der Antike war vollkommenes Menschsein gleichbedeutend mit vollkommener Männlichkeit: Christus musste daher ein Mann sein – und keusch bis hin zur Asexualität. Im Mittelalter waren die Geschlechterordnungen weniger starr: Theologen diskutierten, ob Christus auch als Frau hätte Mensch werden können. Die Mystik feierte Christus als männlichen Bräutigam oder wei...
Hate in the Homeland
"... hows how tomorrow's far-right nationalists are being recruited in surprising places, from college campuses and mixed martial arts gyms to clothing stores, online gaming chat rooms, and YouTube cooking channels..."--Provided by publisher.
The Myths That Made America
This essential introduction to American studies examines the core foundational myths upon which the nation is based and which still determine discussions of US-American identities today. These myths include the myth of »discovery,« the Pocahontas myth, the myth of the Promised Land, the myth of the Founding Fathers, the melting pot myth, the myth of the West, and the myth of the self-made man. The chapters provide extended analyses of each of these myths, using examples from popular culture, literature, memorial culture, school books, and every-day life. Including visual material as well as study questions, this book will be of interest to any student of American studies and will foster an understanding of the United States of America as an imagined community by analyzing the foundational role of myths in the process of nation building.
