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Reflexivity And The Crisis of Western Reason
This ground breaking work explores the genealogical analysis of the discourses of reflection. Barry Sandywell traces the differences between the traditional discourses of reflection and the experiences of reflexivity in everyday, social and philosophical thought. Brilliantly organised and abounding with astonishing insights, Reflexivity and the Crisis of Western Reason offers a fundamental challenge to our normal ways of viewing social thought.
The Sociology of Philosophical Knowledge
This volume brings together a number of authors that see themselves as contribu tors to, or critical commentators on, a new field that has recently emerged within the sociology of knowledge. This new field is 'the Sociology of Philosophical Knowledge' (SPK). Studying philosophers and their knowledge from broadly sociological or political perspectives is not, of course, a recent phenomenon. Marxist writers have used such perspectives throughout the twentieth century, and, since the sixties, feminist authors have also occasionally engaged in sociological analysis of philosophers' texts. What distinguishes SPK from these sociologies is that SPK is not engaged in a political struggle; indeed, SP...
Dictionary of Visual Discourse
This substantial and ambitious dictionary explores the languages and cultures of visual studies. It provides the basis for understanding the foundations and motivations of current theoretical and academic discourse, as well as the different forms of visual culture that have come to organize everyday life.
Interpreting Visual Culture
Interpreting Visual Culture brings together original writings from leading experts in art history, philosophy, sociology and cultural studies. Ranging from an analysis of the role of vision in current critical discourse to discussion of specific examples taken from the visual arts, ethics and sociology, it presents the latest material on the interpretation of the visual in modern culture. Among topics covered are: * the visual rhetoric of modernity * the drawings of Bonnard * recent feminist art * practices and perception in arts and ethics.
The Handbook of Visual Culture
Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.
Visual Rhetoric
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in th...
Encyclopedia of Social Theory
The Encyclopedia of Social Theory cuts across all relevant disciplines, theories, approaches, and schools to present the latest information and research.
Egyptian Cultural Icons in Midrash
Rabbinic midrash of late antiquity and the early medieval period visualized Egypt and presented Egyptian religious concepts and icons. Midrash is analyzed in a cross-cultural perspective utilizing insights from the discipline of Egyptology. Topics: the Greco-Roman Nile god, Isis, Serapis and other gods, festivals, mummy portraits, funeral customs, the Egyptian language, Pharaohs, Cleopatra, Alexandria, the divine eye. The hermeneutical role of Egyptian cultural icons in midrash is explored.
Social Theories of Art
This book offers a critical examination of influential social theories of art that points to the poverty of much contemporary "art theory" (including that of the New Art History and its deconstructionist critics) and the important but underacknowledged ethical implications of theorizing. Heywood writes clearly and illuminatingly about the problematic relationship between the seminar and the studio, theory and practice; his findings will be of interest and relevance to students of sociology, art history, fine art, philosophy, and cultural studies.
History and Identity
This introduction to contemporary historical theory and practice shows how issues of identity have shaped how we write history. Stefan Berger charts how a new self-reflexivity about what is involved in the process of writing history entered the historical profession and the part that historians have played in debates about the past and its meaningfulness for the present. He introduces key trends in the theory of history such as postmodernism, poststructuralism, constructivism, narrativism and the linguistic turn and reveals, in turn, the ways in which they have transformed how historians have written history over the last four decades. The book ranges widely from more traditional forms of history writing, such as political, social, economic, labour and cultural history, to the emergence of more recent fields, including gender history, historical anthropology, the history of memory, visual history, the history of material culture, and comparative, transnational and global history.
