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Und Immer Zügelloser Wird Die Lust
Contrary to expectations, sexual constructions in East German literatures are challenging and diverse. They contribute to, and take issue with, developments in aesthetic form and content, enriching and democratising GDR culture. This book provides a thorough survey of East German art from this new perspective, concentrating specifically upon the iconoclastic work of Irmtraud Morgner and Gabriele Stötzer-Kachold. Both authors use the theme of the erotic not simply in order to break taboos, but - and more importantly - to introduce ideas of utopia, identity and feminism into their art.
Autobiography by Women in German
This varied and challenging collection of contributions written in German and English surveys a wide range of literature in German from a new perspective, namely that of autobiographical writing by women. In sixteen detailed analyses by an international team of scholars the volume explores theories of autobiographical writing and the heterogeneous ways in which texts by women from the Middle Ages onwards have used autobiographical material. The book addresses theoretical issues and thematic complexes as well as uncovering obscured texts and genres, providing both comparative and individual readings of texts as diverse as the spiritual writings of medieval nuns, diaries of the early modern period, and Holocaust memoirs. The book exposes and re-explores received ideas about women and the practice of autobiographical writing and, in doing so, redefines the terms of current debates in the field of autobiography. Beyond that field, it will appeal to those interested in the broader issues of writing by women, German literature and literary theory.
Ruling the Spirit
In Ruling the Spirit, Claire Taylor Jones revises the narrative of women's involvement in the German Dominican order, arguing that Dominican women did not lose their piety and literacy in the fifteenth century as is commonly believed, but instead were encouraged to reframe their practice around the observance of the Divine Office.
Women and Gender in Central and Eastern Europe, Russia, and Eurasia
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
The Daughter Zion Allegory in Medieval German Religious Writing
The Daughter Zion allegory represents a particular narrative articulation of the paradigm of bridal mysticism deriving from the Song of Songs, the core element of which is the quest of Daughter Zion for a worthy object of love. Examining medieval German religious writing (verse and prose) and Dutch prose works, Annette Volfing shows that this storyline provides an excellent springboard for investigating key aspects of medieval religious and literary culture. In particular, she argues, the allegory lends itself to an exploration of the medieval sense of self; of the scope of human agency within the mystical encounter; of the gendering of the religious subject; of conceptions of space and encl...
The German Student Movement and the Literary Imagination
Through a close reading of novels by Ulrike Kolb, Irmtraud Morgner, Emine Sevgi Özdamar, Bernhard Schlink, Peter Schneider, and Uwe Timm, this book traces the cultural memory of the 1960s student movement in German fiction, revealing layers of remembering and forgetting that go beyond conventional boundaries of time and space. These novels engage this contestation by constructing a palimpsest of memories that reshape readers’ understanding of the 1960s with respect to the end of the Cold War, the legacy of the Third Reich, and the Holocaust. Topographically, these novels refute assertions that East Germans were isolated from the political upheaval that took place in the late 1960s and 1970s. Through their aesthetic appropriations and subversions, these multicultural contributions challenge conventional understandings of German identity and at the same time lay down claims of belonging within a German society that is more openly diverse than ever before.
Contested Selves
Investigates the field of German life writing, from Rahel Levin Varnhagen around 1800 to Carmen Sylva a century later, from Döblin, Becher, women's WWII diaries, German-Jewish memoirs, and East German women's interview literatureto the autofiction of Lena Gorelik.
Und Immer Zügelloser Wird Die Lust
Contrary to expectations, sexual constructions in East German literatures are challenging and diverse. They contribute to, and take issue with, developments in aesthetic form and content, enriching and democratising GDR culture. This book provides a thorough survey of East German art from this new perspective, concentrating specifically upon the iconoclastic work of Irmtraud Morgner and Gabriele Stotzer-Kachold. Both authors use the theme of the erotic not simply in order to break taboos, but - and more importantly - to introduce ideas of utopia, identity and feminism into their art.
Strategies Under Surveillance
Geoffrey Westgate offers a new understanding of Irmtraud Morgner by reading her as a specifically East German writer. The book examines the literary strategies Morgner adopted with respect to pivotal cultural-political developments in the GDR. The study considers Morgner's career as a whole and uncovers texts which have not appeared in bibliographies of her writings and draws on new biographical material, including the writer's Nachlass."
Literatur inter- und transmedial / Inter- and Transmedial Literature
Literatur oder, allgemeiner, Texte sind nicht erst seit dem 20. Jahrhundert inter- und transmedial ausgerichtet. Dennoch ist es sinnvoll, von einer medial reflexiven Literatur erst seit dem audiovisuellen Jahrhundert zu sprechen, dem des Films. Medientransformationen sind seitdem nicht allein paradigmatische Wechsel der Systeme, sondern auch Vervielfältigungen durch die Pluralität der medialen Träger. Neben allgemeineren Fragestellungen und theoretischen Bestimmungen steht das Wechselverhältnis von Text, Bild und Musik im Zentrum detaillierter Untersuchungen. Der intermedialen Performanz ist ein weiterer Teil des Bandes gewidmet, der schließlich die Brücke zu Film und Fernsehen schläg...
