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The Milk of Dreams
In English for the first time, a wild and darkly funny book that combines Surrealist painter Leonora Carringon's fantastical writing and illustrations for children The maverick surrealist Leonora Carrington was an extraordinary painter and storyteller who loved to make up stories and draw pictures for her children. She lived much of her life in Mexico, and her sons remember sitting in a big room whose walls were covered with images of wondrous creatures, towering mountains, and ferocious vegetation while she told fabulous and funny tales. That room was later whitewashed, but some of its wonders were preserved in the little notebook that Carrington called The Milk of Dreams. John, who has wings for ears, Humbert the Beautiful, an insufferable kid who befriends a crocodile and grows more insufferable yet, and the awesome Janzamajoria are all to be encountered in The Milk of Dreams, a book that is as unlikely, outrageous, and dreamy as dreams themselves.
Elements of Architecture
"Une mine d'or à parcourir encore et toujours, un de ces livres qui fournira aux bâtisseurs actuels et futurs de notre monde tout le savoir dont ils ont besoin pour aborder les questions actuelles et celles auxquelles ils seront confrontés". ArchDaily Architecture is a compelling mixture of stability and flux. In its solid forms, time and space collide, amalgamating distant influences, elements that have been around for over 5, 000 years and others that were (re-)invented yesterday. Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, facade, balcony, corridor, fireplace, stair, escalator, elevator : The book seeks to excavate the micro-...
La Biennale Di Venezia
Pour la première fois que des directeurs de Biennale sont de genre féminin, Rosa Martinez a insisté sur la position des femmes dans le monde de l'art. Le groupe féministe des Guerrilla Girls ouvre l'exposition avec sept affiches spectaculaires et humoristiques. Le fait qu'un Lion d'Or soit donné à Annette Messager première femme artiste désignée pour représenter la France à Venise consacre cette arrivée d'une conscience féministe ayant permission de parole dans l'art contemporain, en espérant qu'il ne s'agit pas que d'une mode conjoncturelle. Et que la démonstration ne sera plus à refaire... en force!
Cohabitats
Imagining the future of cohabitation in Venice and beyond Conceived as a record that delves deeper into a special section of the Biennale Architettura 2021, Co-habitats comprises essays and photo essays that pertain to specific geographic locations. While the main exhibition is primarily organized in five parts that contemplate a new spatial contract at five scales--as diverse beings, as new households, as emerging communities, across borders and as one planet--this volume showcases analytical examples of how we come together at all five of them in and around Venice, as well as in Addis Ababa, Beirut, India, Rio de Janeiro, Hong Kong, New York, Prishtina and more.
Rubber Pencil Devil
I believe I am in Hell, therefore I am."0?Arthur Rimbaud, Night in Hell00Rubber Pencil Devil is the fourth book in an ongoing series of flipbooks cataloging Da Corte's fifty-seven part film, Rubber Pencil Devil (2018).0The flipbook features an essay by Jamillah James for A Season in He?ll, curated by Jamillah James at Art + Practice, Los Angeles, in collaboration with the Hammer Museum, July 9 ? September 16, 2016.
Seven Days In The Art World
Contemporary art has become a mass entertainment, a luxury good, a job description and, for some, a kind of alternative religion. Sarah Thornton's shrewd and entertaining fly-on-the-wall narrative takes us behind the scenes of the art world, from art school to auction house, showing us how it works, and giving us a vivid sense of being there.
The Spark is You
The Spark Is You documents the parallel exhibitions THE SPARK IS YOU: Parasol unit in Venice (9 May - 23 November 2019) at Conservatorio di Musica Benedetto Marcello in Venice, and Nine Iranian Artists in London: THE SPARK IS YOU (22 May - 8 September 2019) at Parasol unit foundation for contemporary art in London.Curated by Ziba Ardalan (Founder, Artistic and Executive Director of Parasol unit), the two exhibitions include works by Morteza Ahmadvand, Nazgol Ansarinia, Siah Armajani, Mitra Farahani, Ghazaleh Hedayat, Sahand Hesamiyan, Y.Z. Kami, Farideh Lashai, Koushna Navabi, Navid Nuur, Sam Samiee, Hadi Tabatabai, and Hossein Valamanesh.This publication includes beautiful full-page colour reproductions of the exhibited works in Venice and London, accompanied by insightful thematic essays by Ziba Ardalan and Narguess Farzad as well as short essays on the individual artists by Oliver Basciano, Maryam Monalisa Gharavi, Mahan Moalemi, Maria Porges, Sarah Thomas, and John Yau.
Olafur Eliasson
In Olafur Eliasson's exhibition The Blind Pavilionfor the Danish pavilion at the most recent Venice Biennale, virtually all the strategies that the artist had employed up until now were activated: mirror reflections, glass kaleidoscopes, stretches of stairway, architectural interventions, and camera obscuras. An all-encompassing exhibition, it cancelled out the dividing lines between work and viewer, between outside and inside, between art and science. A parallel counterpart to the pavilion, rather than a mere representation of it, is the book The Blind Pavilion. Created by Eliasson in close collaboration with Danish author Svend Uge Madsen, who has persistently challenged our notions of tim...
