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The Chinese Typewriter
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and...
Ancient China and its Eurasian Neighbors
This volume looks at the effects of interaction and the nature of identity construction in a frontier or contact zone through the analysis of material culture, especially in mortuary settings.
Bureaucracy and the State in Early China
This ook redefines the bureaucracy of Ancient Chinese society during the Western Zhou period. The analysis is based on inscriptions of royal edicts from the period carved into bronze vessels. The inscriptions clarify the political and social construction of the Western Zhou and the ways in which it exercised its authority.
Intelligent Reflecting Surfaces in Wireless Communication Systems
Accompanied with the development of the wireless communication technologies, the high data traffic is more necessary for civil and industrial applications than ever The concept of an intelligent reflective surface (IRS) has attracted considerable attention recently as a low-cost solution. As the main contribution, the dissertation creates new state-of-the-art and formulates a solid milestone for the IRS research field.
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Gender and Chinese Archaeology
The roles of women in Chinese archaeology, with only a few exceptions, have at worst been overlooked, and at best consigned to conventional Marxist theory that prescribes formulaic frameworks for understanding gender—until now. Renowned archaeologist Katheryn M. Linduff and fellow researcher Yan Sun have brought together a fascinating collection that reexamines gender in ancient Chinese cultures. Acknowledging and negotiating the complications that challenge their efforts, the authors analyze and begin to reconstruct the roles of women in various regions of China from the late Neolithic to the early Empire period. Topics range from mortuary ritual, social status and structures of power, economic influences on cultural practice, textile production, and art in these early Chinese societies. This book is a must for students, professors, and practitioners of archaeology that seek a more complete examination of the archaeological record, for scholars in the fields of Asian Studies, Art History, and Chinese History more generally, as well as for those interested in the roles of women in ancient Chinese society.
Kingship, Ritual, and Royal Ideology in Western Zhou China
In accounts of Chinese history, the Western Zhou period has been lionized as a golden age of ritual, when kings created the ceremonies that underlay the traditions of imperial governance. In this book, Paul Nicholas Vogt rediscovers their roots in the vagaries of Western Zhou royal geopolitics through an investigation of inscriptions on bronze vessels, the best contemporary source for this period. He shows how the kings of the Western Zhou adapted ritual to create and retain power, while introducing changes that affected later remembrances of Zhou royal ritual and that shaped the tradition of statecraft throughout Chinese history. Using ritual and social theory to explain Western Zhou history, Vogt traces how the traditions of pre-modern China were born, how a ruling dynasty establishes and holds on to power, how religion and politics can support and restrain each other, and how ancient peoples made, used, and assigned meaning to art and artifacts.
