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From large cities to rural communities, gay men have long been impassioned pioneers as keepers of culture: rescuing and restoring decrepit buildings, revitalizing blighted neighborhoods, saving artifacts and documents of historical significance. A Passion to Preserve explores this authentic and complex dimension of gay men’s lives by profiling early and contemporary preservationists from throughout the United States, highlighting contributions to the larger culture that gays are exceptionally inclined to make.
The Past as Prelude is a collection of essays exploring the rich, cultural history of New Orleans over the city’s first 250 years from 1718–1968. In this topical history of one of America’s oldest cities, a group of talented essayists explore the fascinating and varied patterns that have marked New Orleans’ growth. These multiple perspectives allow glimpses into topics as varied as the diverse people of the city, the unique Creole architecture, the historic art scene, the distinctive music, the Civil War, and, of course, New Orleans’ continued reputation as a “good-time town.” Detailed illustrations complement this comprehensive volume.
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The story centres around one person and his response to a civil unrest situation that deteriorates to open anarchy. From living the dream, an off-grid lifestyle with his wife on their small but efficient block of land, to defending their property from marauding gangs. When Factions rise and develop enough power to take whatever they want, he won’t be pushed out. Taking his wife out off harms way, he returns to his home to defend his property. In a bush environment, where law and decency are secondary to survival, keeping ahead of the gangs becomes a lifestyle where innovative thinking and the will to keep going is vital to survival. As the gangs add more manpower and technology to the problem he’s causing them, he loses ground until a tactical retreat is required. In a surprise medical twist, the entire political situation changes and he’s able to attempt a return trip however the situation has changed even more than he could ever have imagined and without any reliable information, is forced to move with great care through a countryside decimated by medical and political upheaval.
In Art in Mississippi Patti Carr Black focuses on several hundred significant artists and showcases in full color the work of more than two hundred. Nationally acclaimed native Mississippians are hereGeorge Ohr, Walter Anderson, Marie Hull, Theora Hamblett, William Dunlap, Sam Gilliam, William Hollingsworth, Jr., Karl Wolfe, Mildred Nungester Wolfe, John McCrady, Ed McGowin, James Seawright, and many others. Prominent artists who lived or worked in the state for a significant period of time are included as well - John James Audubon, Louis Comfort Tiffany, George Caleb Bingham, William Aiken Walker, and more. Black explores how art reflects the land and how modes of living and values dictated by Mississippi's changing topography created a variety of art forms. She demonstrates the influence of Mississippi's diverse cultures upon the art and shows how it has responded in many forms - painting, architecture, sculpture, fine crafts - to the changing aesthetics of national art movements.
"Collections: A Journal for Museum and Archives Professionals" is a multi-disciplinary peer-reviewed journal dedicated to the discussion of all aspects of handling, preserving, researching, and organizing collections. Curators, archivists, collections managers, preparators, registrars, educators, students, and others contribute.