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Queer in the Choir Room
These new essays examine the many ways that issues of gender and sexuality intersect with other identities and practices--including race, religion, disability, music and education--on the Fox hit program Glee. With gender and sexuality concerns at the crux, the authors tackle such specific aspects of the show as the coming out narrative, Glee fandom and fan fiction, representation of sex education, and the intersection of Broadway music and queerness. The aim of these essays is to open up a dialogue about Glee--which is often dismissed by critics and fans alike--and to reveal how scholars are critically engaging with the show around issues of gender and sexuality.
Baroque Aesthetics in Contemporary American Horror
This book traces a trend that has emerged in recent years within the modern panorama of American horror film and television, the concurrent—and often overwhelming—use of multiple stock characters, themes and tropes taken from classics of the genre. American Horror Story, Insidious and The Conjuring are examples of a filmic tendency to address a series of topics and themes so vast that at first glance each taken separately would seem to suffice for individual films or shows. This book explores this trend in its visible connections with American Horror, but also with cultural and artistic movements from outside the US, namely Baroque art and architecture, Asian Horror, and European Horror....
Queering the Vampire Narrative
Queering the Vampire Narrative offers classroom-ready original essays that continue our explorations of vampires as representations of the cultural Other, which builds on the work of our previous texts. The editors argue, ultimately, the vampire is a queer icon, infinitely blurring the boundaries of identity and cultural norms and queering even the most seemingly stable notions, such as life, death, humanity, and monstrosity. The Vampire is the undead monarch of subtextual articulations of Otherness, especially queer behaviors and desires, offering explorations of the AIDS epidemic, the destabilization of ideas of fixed and stable sexuality, the search for community and chosen family, and th...
The Wizard of Oz as American Myth
Since the publication of L. Frank Baum's The Wonderful Wizard of Oz in 1900, authors, filmmakers, and theatrical producers have been retelling and reinventing this uniquely American fairy tale. This volume examines six especially significant incarnations of the story: Baum's original novel, the MGM classic The Wizard of Oz (1939), Sidney Lumet's African American film musical The Wiz (1978), Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West (1995), Stephen Schwartz and Winnie Holzman's Broadway hit Wicked: A New Musical (2003), and the SyFy Channel miniseries Tin Man (2007). A close consideration of these works demonstrates how versions of Baum's tale are influenced by and help shape notions of American myth, including issues of gender, race, home, and magic, and makes clear that the Wizard of Oz narrative remains compelling and relevant today.
Trans* Time
Trans*Sichtbarkeit hat in den letzten Jahren einen Höhepunkt erreicht, so auch in TV- und Streaming-Serien. Sie geht mit Prozessen sozialer Popularisierung und akademischer Legitimierung einher. Inwiefern bildet die fiktionale Darstellung von trans*Personen ihre vielfältige Wirklichkeit ab, die von selbstbestimmten Lebensentwürfen ebenso wie von Diskriminierung und Gewalt geprägt ist? Wenn es stimmt, dass Serien Gesellschaft- und Identifikationsmodelle hervorbringen, welche Chancen und Gefahren sind dann mit ihrer Verbreitung verbunden? Die Autor_innen gehen diesen Frage anhand von ausgewählten europäischen Serien nach. creativecommons.org/licenses/by-nc-nd/4.0/
Beyond Norma Rae
In the late 1970s, Hollywood producers took the published biography of Crystal Lee Sutton, a white southern textile worker, and transformed it into a blockbuster 1979 film, Norma Rae, featuring Sally Field in the title role. This fascinating book reveals how the film and the popular icon it created each worked to efface the labor history that formed the foundation of the film's story. Drawing on an impressive range of sources—union records, industry reports, film scripts, and oral histories—Aimee Loiselle's cutting-edge scholarship shows how gender, race, culture, film, and mythology have reconfigured and often undermined the history of the American working class and its labor activism. While Norma Rae constructed a powerful image of individual defiance by a white working-class woman, Loiselle demonstrates that female industrial workers across the country and from diverse racial backgrounds understood the significance of cultural representation and fought to tell their own stories. Loiselle painstakingly reconstructs the underlying histories of working women in this era and makes clear that cultural depictions must be understood as the complicated creations they are.
Script Tease
The Newest Screenwriting Secrets What do an erstwhile stripper, an ex–gambling addict, and a stoned Canadian teenager have in common? They wrote your favorite movies, and they're not who you'd expect. Diablo Cody (Juno), Darren Aronofsky (The Wrestler), and Seth Rogan (Superbad) are among the scribes interviewed in Script Tease, your main line to the most current screenwriting wisdom. Their funny, even touching tales of how they made it despite the odds will give you a revealing look into what it really takes to get into the industry. With the guidance of recent greats like Aaron Sorkin (The Social Network) and the Coen Brothers (True Grit), you will learn how to hone your craft and make it in an industry where only the best succeed.
Philosophical-Political Hecate-isms
This book introduces a new conceptual category to philosophical and political discourse, namely Hecate-isms, which can be applied to post–postmodernist theory. This concept is defined here as resulting from the philosophical and political mechanisms of the rule of three, and as representing a tri-phase construction of homo triplex, including elements such as prosperity–security–freedom and distance–power–security. The book will appeal to the wider academic community, to PhD students, professors, and researchers with an interest in political philosophy, political science, postmodern philosophy, and cultural studies.
Affective Sexual Pedagogies in Film and Television
Popular film and television hold valuable potential for learning about sex and sexuality beyond the information-based model of sex education currently in schools. This book argues that the representation of complicated—or "messy"—relationships in these popular cultural forms makes them potent as affective pedagogical moments. It endeavours to develop new sexual literacies by contemplating how pedagogical moments, that is, fleeting moments which disrupt expectations or create discomfort, might enrich the available discourses of sexuality and gender, especially those available to adolescents. In Part One, Clarke critiques the heteronormative discourses of sex education that produce youth in particularly gendered ways, noting that "rationality" is often expected to govern experiences that are embodied and arguably inherently incoherent. Part Two explores public intimacy, contemplating the often overlapping and confused boundaries between public and private.
