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Central and Eastern European Literary Theory and the West
Literary theory flourished in Central and Eastern Europe throughout the twentieth century, but its relation to Western literary scholarship is complex. This book sheds light on the entangled histories of exchange and influence both within the region known as Central and Eastern Europe, and between the region and the West. The exchange of ideas between scholars in the East and West was facilitated by both personal and institutional relations, both official and informal encounters. For the longest time, however, intellectual exchange was thwarted by political tensions that led to large parts of Central and Eastern Europe being isolated from the West. A few literary theories nevertheless made i...
Art's Realism in the Post-Truth Era
Arguing for the necessity of taking art's contribution to contemporary realism seriously, this edited collection intervenes on contemporary debates about realism by demonstrating that the arts do not simply illustrate philosophical theories. The significance of art's realism in times characterised by the normalisation of fake, manipulated and distorted representations of reality can only be fully understood by attending to the ways that the arts mediate, visualise and even shape reality. Each chapter features a different approach to realism and its aesthetic dimensions not only in the visual arts, but also in sound art, film, scientific imaging and literature.
Sincerity after Communism
A compelling study of new sincerity as a powerful cultural practice, born in perestroika-era Russia, and how it interconnects with global social and media flows The global cultural practice of a new sincerity in literature, media, art, design, fashion, film, and architecture grew steadily in the wake of the Soviet collapse. Cultural historian Ellen Rutten traces the rise and proliferation of a new rhetoric of sincere social expression characterized by complex blends of unabashed honesty, playfulness, and irony. Insightful and thought provoking, Rutten s masterful study of a sweeping cultural trend with roots in late Soviet Russia addresses postsocialist, postmodern, and postdigital questions...
Aesthetics of Absence
Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised’ in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels’ engagement with ‘Aesthetics of Absence’ through his own experience at the forefront of innovative music-theatre and performance making. In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wil...
The Hand at Work
Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media, we still regard the avant-garde as heyday for modernism’s obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing, and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making, as well as the perception, of literature and the arts.
A History of Russian Literature
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs a...
Literature Redeemed
In the post-Soviet period, discussions of "postmodernism" in Russian literature have proliferated. Based on close literary analysis of representative works of fiction by three post-Soviet Russian writers – Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin – this book investigates the usefulness and accuracy of the notion of "postmodernism" in the post-Soviet context. Classic Russian literature, renowned for its pursuit of aesthetic, moral and social values, and the modernism that succeeded it have often been seen as antipodes to postmodernist principles. The author wishes to dispute this polarity and proposes "post-Soviet neo-modernism" as an alternative concept. "Neo-modernism" embodies the notion that post-Soviet writers have redeemed the tendency of earlier literature to seek the meaning of human existence in a transcendent realm, as well as in the treasures of Russia's cultural past.
Historical Turns
Historical Turns reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Nicholas Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history. Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.
Unattainable Bride Russia
Throughout the twentieth century and continuing today, personifications of Russia as a bride occur in a wide range of Russian texts and visual representations, from literature and political and philosophical treatises to cartoons and tattoos. Invariably, this metaphor functions in the context of a political gender allegory, which represents the relationships between Russia, the intelligentsia, and the Russian state, as a competition of two male suitors for the former’s love. In Unattainable Bride Russia, Ellen Rutten focuses on the metaphorical role the intelligentsia plays as Russia’s rejected or ineffectual suitor. Rutten finds that this metaphor, which she covers from its prehistory in folklore to present-day pop culture references to Vladimir Putin, is still powerful, but has generated scarce scholarly consideration. Unattainable Bride Russia locates the cultural thread and places the political metaphor in a broad contemporary and social context, thus paying it the attention to which it is entitled as one of Russia’s modern cultural myths.
