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Din ve sanat [yazan] Burhan Toprak
  • Language: tr
  • Pages: 130

Din ve sanat [yazan] Burhan Toprak

  • Type: Book
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  • Published: 1962
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  • Publisher: Unknown

None

Burhan Toprak
  • Language: tr
  • Pages: 189

Burhan Toprak

  • Type: Book
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  • Published: 1966
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  • Publisher: Unknown

None

Yunus Emre divanı [Hazırlıyan]
  • Language: tr
  • Pages: 238

Yunus Emre divanı [Hazırlıyan]

  • Type: Book
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  • Published: 1960
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  • Publisher: Unknown

None

Stories of Art
  • Language: en
  • Pages: 193

Stories of Art

  • Categories: Art
  • Type: Book
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  • Published: 2013-10-18
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  • Publisher: Routledge

Stories of Art is James Elkins's intimate history of art. Concise and original, this engaging book is an antidote to the behemoth art history textbooks from which we were all taught. As he demonstrates so persuasively, there can never be one story of art. Cultures have their own stories - about themselves, about other cultures - and to hear them all is one way to hear the multiple stories that art tells. But each of us also has our own story of art, a kind of private art history made up of the pieces we have seen, and loved or hated, the effects they had on us, and the connections that might be drawn among them. Elkins opens up the questions that traditional art history usually avoids. What ...

Is Art History Global?
  • Language: en
  • Pages: 473

Is Art History Global?

  • Categories: Art
  • Type: Book
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  • Published: 2013-10-18
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  • Publisher: Routledge

This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.

Mülâkatlar
  • Language: tr
  • Pages: 372

Mülâkatlar

None

Yunus Emre
  • Language: en
  • Pages: 199

Yunus Emre

One of the most famous poets in the history of Turkish literature, Yunus Emre (d. 1320) is well-known as a Sufi saint-poet who has exerted a great influence in both the East and the West. This book is an analysis on Emre's ardent, deceptively simple, yet powerful expressions of love, the musicality of the verse, and the daring and sometimes even daunting imagery. UNESCO celebrated 1991 as the year of Yunus Emre.

Yunus Emre divanı
  • Language: tr
  • Pages: 212

Yunus Emre divanı

  • Type: Book
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  • Published: 1966
  • -
  • Publisher: Unknown

None

Rapture and Revolution
  • Language: en
  • Pages: 432

Rapture and Revolution

The articles contained in this volume collectively provide a critical overview of Turkish literature from its earliest phases in the sixth century well into the Republican period, including pieces detailing the literature of the Ottoman as well as those dealing with Europeanization. In so doing, the author illustrates the evolution of Turkish culture as reflected in the literary experience. Exploring specific genres and themes, several articles detail the development of drama from Karagoz and Orta oyunu to contemporary Western theatre, the propaganda functions of poetry, and the important place of folk literature. In addition, the volume focuses on some of the leading figures of Turkish literature, ranging from Mevlana Celaleddin Rumi, Yunus Emre, and Süleyman the Magnificent, to Sait Faik and modern poets such as Nazim Hikmet, Orhan Veli Kanik, and Melih Cevdet Anday. Whether read as a whole or as individual articles, the book gives Western readers a broad and long overdue entry into the rich landscape of traditional and contemporary Turkish literature and culture. For scholars, it is an invaluable resource for courses on Turkish literature and culture.

The End of Diversity in Art Historical Writing
  • Language: en
  • Pages: 221

The End of Diversity in Art Historical Writing

  • Categories: Art

The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.