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From Margins to Mainstream
From Margins to Mainstream Feminism and Fictional Modes in Italian Women's Writing, 1968-1990 Carol Lazzaro-Weis Lazzaro-Weiss studies the fiction of twenty-five contemporary Italian women writers. Arguing for a notion of gender and genre, she runs counter to many Anglo-American and French feminist theorists who contend that traditional genres cannot readily serve as vehicles for feminist expression. 1993 - 256 pages - 6 x 9 ISBN 978-0-8122-1438-3 - Paper - $27.50s - £18.00 World Rights - Women's/Gender Studies
From Margins to Mainstream
Carol Lazzaro-Weiss studies the fiction of twenty-five contemporary Italian women writers. Arguing for a notion of gender and genre, she runs counter to many Anglo-American and French feminist theorists who contend that traditional genres cannot readily serve as vehicles for feminist expression.
Gendering Italian Fiction
This volume is an exploration of the innovative ways in which three generations of women writers in modern Italy have dealt with history - both as narration of events and the events themselves. The essays challenge traditional historiography and foster a rereading of history based on the tenets of feminist historicism. They also claim a central role for fiction in the construction of women's history and in a rereading of Italian history.
Conceiving Life
This volume examines the evolution of reproductive law in Italy from the `far west' of the 1980s and 90s through to one of the most potentially restrictive systems in Europe. The book employs an array of sociological, philosophical and legal material in order to discover why such a repressive piece of legislation has been produced at the end of a period of substantial change in the dynamic of gender relations in Italy. The book also discusses Italian policy within the wider European policy framework.
Public History, Private Stories
In this important volume, Graziella Parati examines the ways in which Italian women writers articulate their identities through autobiography - a public act that is also the creation of a private life. Considering autobiographical writings by five women writers from the seventeenth century to the present, Parati draws important connections between self-writing and the debate over women's roles, both traditional and transgressive. Parati considers the first prose autobiography written by an Italian woman - Camilla Faa Gonzaga's 1622 memoir - as her beginning point, citing it as a central "pre-text". Parati then examines the autobiographies of Enif Robert, Fausta Cialente, Rita Levi Montalcini, and Luisa Passerini. Through her discussion of these women's writings, she demonstrates the complex negotiations over identity contained within them, negotiations that challenge dichotomies between male and female, maternal and paternal, and private and public. Public History, Private Stories is a compelling exploration of the disparate identities created by these women through the act of writing autobiography.
Tuscan Spaces
An important locus for English-speaking writers, the region of Tuscany is also well represented in the Italian literary canon. In Tuscan Spaces, Silvia Ross focuses on constructions of Tuscany in twentieth-century Italian literature and juxtaposes them with English prose works by such authors as E.M. Forster and Frances Mayes to expose the complexity of literary representation centred on a single milieu. Ross uses the works of writers such as Federigo Tozzi, Aldo Palazzeschi, Vasco Pratolini, and Elena Gianini Belotti, to seek out alternative visions of Tuscan space and emphasizes that each author fashions the region in a manner which reflects their personal poetics, background, and experiences. Theories of cultural geography, space, travel, and narrative contribute to Ross's consideration of the dualisms commonly employed in writings about Tuscany, such as country/city, nature/culture, female/male, and self/other, all of which are in turn affected by her interrogation of the local/foreign opposition that underlies the study as a whole.
Women of a Certain Age
Situated at the crossroads of gender studies, narratology, and cultural studies, this book investigates the impact that the demographic and cultural revolutions of the last century have had on Italian women's life courses and on their literary imaginations. The geographic and chronological focus is Italy of the 1990s. The study is divided into two parts that represent an ideal progression from contexts to texts.
Vina: A Brooklyn Memoir
Joe Polacco has written a wonderful tribute to his mother, Vina, and in the process has learned about himself. This memoir is told with humor, and is a tale of extended family in Brooklyn headed by the author's mother, the kind and big-hearted Vina. It's all about the family, the neighborhood, and most of all about Vina. She is beautiful, selfless, a creative designer and knows how to laugh and make others laugh. She is a master of Italian cuisine, admired for her original recipes, which are willingly shared. What more could anyone want in a Mom? More to the point which of us would not want to claim Vina as Mom? And all the characters in the memoir willingly testify that they love Vina and claim her as their own. The author has a love of--and knack for—foreign language and dialects. In New York City, specifically Brooklyn, the whole world can be found in this one place. And you'll find Joe Polacco and Vina in this melting pot. But be careful not to melt down as you laugh through the pages while commemorating those who have passed before, and after, Vina.
Feminine Feminists
Feminine Feminists was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. What does it mean to be a woman today in Italy, a country with the lowest birthrate in the world and the heaviest maternal stereotype? Does being a feminist exclude practices of cultural femininity? What are Italian women's cultural productions? These questions are at the center of this volume, which looks at how feminism and femininity are embedded in a broad spectrum of Italian cultural practices. In recent years, several books have introduced the America...
The Text is Myself
German Jewish novelist Grete Weil fled to Holland, but her husband was arrested there and murdered by the Nazis. Chilean novelist Isabel Allende fled her country after her uncle Salvador Allende was assassinated, and she later lost her daughter to disease."
