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Arguing with Malarchy
Arguing with Malarchy is full of voices. Tender, sinister, sad or cantankerous, they compel us to attend to their realities, the glimpsed depths of their stories, the distances they have travelled. Carola Luther's poems are alert to the ways a life can be briefly snared in the turn of a phrase or in the moment when language fails. She explores silences, absences, the unspoken communication between animals and human beings, the living and the dead, and the boundaries between what is remembered, forgotten or invented. In the book's first part, a chronicle of mourning creates the 'bare threads of tunes' out of what is lost, and begins a new story. In the second part, Luther's characters live in their language; 'Keep talking,' the old man tells Malarchy. We travel through elemental landscapes of sea and sky, shadows and wide savannahs that exist beyond language and sustain when words are silenced.
On the Way to Jerusalem Farm
Shortlisted for the Derek Walcott Prize for Poetry 2022 Carola Luther's new book On the Way to Jerusalem Farm explores the complexities of living in a damaged world. How, it asks, does such a world live in us, and we in it? At the centre of the collection are three sequences, 'Letters to Rasool', 'Birthday at Emily Court' and 'The Escape'. On the Way to Jerusalem Farm moves through the world, seeking and finding not answers, but sometimes, a means of continuing. The speaker in 'Letters to Rasool' travels onward through scarred and depleted landscapes, and searches for a lost beloved. The ageing residents of Emily Court celebrate a birthday and dance. Spring of a kind still comes. And in 'The Escape' there are colours to be found in the distant sea: 'A whole translucent geology, / cross-sections of light and water'. Poetry for Luther is a way of finding a way, of making connections and sharing our complex lives in an interdependent present. The roles of lover and beloved become – almost – interchangeable in these richly visualised poems.
Walking the Animals
The dark skies of the Yorkshire Pennines and the heat of the South African lowlands are brought together in these masterpieces from a transitional poet. Journeys between disparate worlds--between north and south, earth and air, safety and danger, fantasy and fact--traverse poetic landscapes of loss and longing. Dislocations and what flows from them, how the strange emerges into familiarity, and how strangers, in time, become known provide the thematic backdrops for this poet's exploration of place and movement.
Playing the Market
The relationship between Johannesburg’s Market Theatre and the economic and political forces of South Africa's apartheid regime was both complex and somewhat ambiguous. The theatre's two founders, Mannie Manim and Barney Simon, however, from idealistic beginnings managed to steer their experimental enterprise around pitfalls ranging from censorship, boycotts and recuperation by big business to the difficulties encountered in finding black authors, let alone black audiences. If the place occupied by the Market institution in apartheid society is emphasized throughout the present study, its contribution to the aesthetic of resistance is also underlined through detailed criticism of the plays...
Devising Theatre
A practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch.
Post-Imperial Brecht
Post-Imperial Brecht challenges prevailing views of Brecht's theatre and politics. Kruger focuses much of her analysis in regions where Brecht has had special resonance, including East Germany, and South Africa, where Brechtian philosophy has been vigorously employed in the anti-apartheid movement. Kruger also analyses political interpretations of Brecht in light of other key dramatists, including Heiner MÜller and Athol Fugard. The book also examines Brechtian influence on writers and philosophers such as Adorno, Benjamin, and Barthes.
Women, Politics and Performance in South African Theatre Today
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Fifty Fifty
A Book of the Year 2019 in The Morning Star. This is a rare glimpse into the inner workings of a small, ambitious press over a period of radical transformation in publishing. Each of Carcanet's fifty years is marked by an exchange of letters - handwritten, typed, and now emailed - between an author and the editor. Beginning in 1969 with the response to an invitation to subscribe to Carcanet for two guineas, the book traces Carcanet's progress and offers insight into the nature of literary editing. At its heart is the personal relationship of author and editor/publisher, the conflicts, friendships and vicissitudes that occur at the nexus between the work, its creator, publisher and reader. Poets are central, but fiction writers, translators, biographers and critics also contribute to the Carcanet ferment and firmament. Fifty Fifty celebrates the writers', readers' and editor's risks, passions and pleasures.
Modernising Sexualities
Using the unification of the Swiss Criminal Code as an investigative framework, this book argues that sexualities and nation are intertwined through ideas and discourses about boundaries, their maintenance, and their reproduction, which impact on practices of inclusion and exclusion.
