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Luis Meléndez
Luis Meléndez (1715-1780) is today recognized as the premier still-life painter in eighteenth-century Spain, indeed one of the greatest in all of Europe. He is widely heralded for his virtuoso paintings of everyday objects rendered with exacting detail, marvelous effects of color and light, and subtle variations in texture. Featuring paintings from collections worldwide, this lavishly illustrated book showcases thirty-one still lifes by Meléndez, among them several previously unpublished works. Individual painting entries incorporate fascinating technical images along with close-up reproductions. Essays provide an overview of the artist's life and work, a discussion of period objects depicted in Meléndez's still lifes, and an explanation of technical discoveries. The book as a whole illuminates both the art history and technique behind an ingenious body of work. -- From publisher's description.
Prayers and Portraits
Publisher description
Gustav Metzger: Writings
Bringing together more than 350 texts written between 1953 and 2016, this comprehensive volume establishes artist and activist Gustav Metzger (1926-2017) as one of the towering figures of the 20th century, a long-overdue recognition of Metzger's influential vision. Renowned for his use of unstable materials and chemical reactions to create artworks that embody processes of change, destruction and renewal, Metzger was also a prolific writer, theoretician and satirist. His interest in technology and science and his anti-nuclear activism influenced his development of the concepts of auto-destructive and auto-creative art, terms he coined with his manifestos on "Auto-Destructive Art" in 1959 and...
The Renaissance of Etching
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Workshop Practice in Early Netherlandish Painting
Recent technical examinations of Early Netherlandish art have propelled in-depth studies of key works far beyond traditional connoisseurship methods. Ingenious new applications, as well as a prodigious amount of comparative technical documentation, have changed our views of standard workshop practices, including issues of materials and techniques, and details about the precise nature of collaboration. The studies presented in this book illustrate the variety of approaches and findings in what can be called the new connoisseurship. Here the reader will find alternative methods of evaluating Jan van Eyck's Saint Barbara and Ghent Altarpiece, Dirk Bouts's canvas paintings, Jacb Cornelisz van Oostsanen's Berlin Sketchbook, the Evora Altarpiece and the Saint Anne Altarpiece from Gerard David's workshop, Jan Gossart's Malvagna Triptych, and a triptych by Pieter I Claeissens. These individual studies will be of interest not only to aficionados of Early Netherlandish painting, but also to students who are keen to learn about the pivotal role of technical studies for this period of art history.
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That Metzger Family and Others
Christian F. Metzger was born 12 Dec 1857 in Hoffnungstal, Ukraine, Russia to Christian Metzger and Magdalena Wagner. He married Catherine Bitz (Bietz) 1881 in Neu Berlin, Russia. She was born 5 Aug 1859 the daughter of Andreas Bitz and Elizabeth Schaffner. Christian F. Metzger died 14 Jul 1931 in Challenge, Yuba Co., California. Catherine Bitz Metzger died 5 Apr 1948 in Yuba City, Sutter Co., California. They were the parents of 10 children.
