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"Why is obama chosen for this journey? Why is america chosen for this journey? Author, Chii Ughanze-Onyeagocha opens your mind to the answers to these questions as "HE" UNVEILS THAT AFRICA IS INDEED A LAND OF MYSTERIES."
"Why is obama chosen for this journey? Why is america chosen for this journey? Author, Chii Ughanze-Onyeagocha opens your mind to the answers to these questions as "HE" UNVEILS THAT AFRICA IS INDEED A LAND OF MYSTERIES."
Daughter of a Hausa farmer and Koranic teacher, Baba became Mary Smith's friend in 1949, when M. G. and Mary Smith were engaged in fieldwork in Nigeria. In daily sessions for several weeks Baba dictated her life story, which Mrs. Smith has translated from the Hausa. The old woman's memories reached back to the days of slave raids and interstate warfare before the British occupation, and she has left a fascinating and valuable record of Hausa life in the late nineteenth century and the first half of the twentieth. Baba describes Hausa male-oriented society from a woman's point of view, narrating not only her own life history but stories of other women who were close to her. She tells of Hausa...
Contributors discuss early printed books and manuscripts between the 14th and 16th centuries under the section headings of: 'Imagined compilers and editors', 'Imagined patrons and collectors', Imagined readings and readers' and 'Beyond the book: verbal and visual cultures'.
With a basis in environmental history, this groundbreaking study challenges the idea that a meaningful attachment to nature and the outdoors is contrary to the black experience. The discussion shows that contemporary African American culture is usually seen as an urban culture, one that arose out of the Great Migration and has contributed to international trends in fashion, music, and the arts ever since. However, because of this urban focus, many African Americans are not at peace with their rich but tangled agrarian legacy. On one hand, the book shows, nature and violence are connected in black memory, especially in disturbing images such as slave ships on the ocean, exhaustion in the fields, dogs in the woods, and dead bodies hanging from trees. In contrast, though, there is also a competing tradition of African American stewardship of the land that should be better known. Emphasizing the tradition of black environmentalism and using storytelling techniques to dramatize the work of black naturalists, this account corrects the record and urges interested urban dwellers to get back to the land.