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The Heart of Teaching is a book about teaching and learning in the performing arts. Its focus is on the inner dynamics of teaching: the processes by which teachers can promote—or undermine—creativity itself. It covers the many issues that teachers, directors and choreographers experience, from the frustrations of dealing with silent students and helping young artists ‘unlearn’ their inhibitions, to problems of resistance, judgment and race in the classroom,. Wangh raises questions about what can—and what cannot—be taught, and opens a discussion about the social, psychological and spiritual values that underlie the skills and techniques that teachers impart. Subjects addressed inc...
You Can Protect Your Children in Divorce You can stop the divorce court from invading your privacy You can stop the illegal family studies You can limit the judges authority to rip your life apart You can stop the personal attacks on your parenting style You can stop the system from hurting your child You can stop the system from making you broke You can learn to protect those you love most The Divorce Industry takes BILLIONS of dollars from our children every single year! STOP THEM NOW! This book will give you the arguments, the legal framework for stopping the divorce custody machine dead in its tracks. This book will show you how to stop giving up your rights to your children. Your childr...
Aaron systematically examines God-related idioms in the Hebrew Bible to determine whether a particular idiom is meant to be understood metaphorically. Aaron challenges current methodologies that dominate biblical scholarship regarding metaphor and offers original, viable alternatives to the standard approaches. Please note that "Biblical Ambiguities" was previously published by Brill in hardback (ISBN 90 04 12032 7), still available)
Sculpted Ambiances in Africana Landscape centers on ambiance as it affects the expanded sculptural field, particularly filling a gap in aesthetics left by a lack of focus on sculptures and installations in the Africana world and elsewhere. This book differentiates ambiance from other affective states and emotions and explores its production. It provides an introduction to the history of ambiance and vividly demonstrates, through immersive and experiential writing, how ambiance manifests in different artistic situations and social settings. The book considers the neglected and unique importance of sculptural ambiance to the history of Africana visual culture, and what these works mean in terms of their social, historical, cultural, political, and ecological imagination of space. The book is written in an episodic style and begins with a description of an image before presenting an analysis of the artist’s style and staging for ambient experience. This book will benefit college and university students; scholars of art, architecture, aesthetics, philosophy, geography, anthropology, and sociology; and curators and galleries.
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.
Theater and Cultural Politics for a New World presents a radical re-examination of the ways in which demographic shifts will impact theater and performance culture in the twenty-first century. Editor Chinua Thelwell brings together the revealing insights of artists, scholars, and organizers to produce a unique intersectional conversation about the transformative potential of theater. Opening with a case study of the New WORLD Theater and moving on to a fascinating range of essays, the book looks at five main themes: Changing demographics Future aesthetics Making institutional space Critical multiculturalism Polyculturalism
The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.
Recent Barna research indicates that less than one in ten evangelical Christians hold a biblical worldview. A World of Difference seeks to change this disturbing fact by educating readers on how the Christian perspective is uniquely reasonable, verifiable, and liveable. Author Kenneth Richard Samples faced a profound test of his own belief system during a personal life-and-death crisis. In A World of Difference, he uses nine distinct tests to compare the Christian worldview with current religious and philosophical competitors, including Islam, postmodernism, naturalism, and pantheistic monism. Samples tackles tough issues through this in-depth study of Christianity's history, creed, and philosophical basis. An excellent resource for readers who want their view of life and the world to make sense.
Featuring Cecelia Eaton Luschnigs annotated verse translations of Euripides Electra, Iphigenia among the Tauri, and Orestes, this volume offers an ideal avenue for exploring the playwrights innovative treatment of both traditional and non-traditional stories concerning a central, fascinating member of the famous House of Atreus.
Published as part of EDERA - The Ethos of Dialogue and Education, streamlining the themes Negotiating between objectivity and stereotypes. American correspondents in Romania (T3) and Embodying the American Feminine Ethos: Renegotiating Romanian Women’s Identity from Hollywood to Rockefeller (T6). Trailblazers of the Press. American War Correspondents in Interwar Romania analyzes the portrayals of Romania shaped by the American war correspondents’ who visited the country during the interwar era. These representations illustrate the cultural and identity negotiation process between the observers and the observed and among the many prevalent identities in this space. The historical and poli...