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Historical Painting Techniques, Materials, and Studio Practice
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world pro...
Albrecht Dürer and the Venetian Renaissance
Publisher Description
City Views in the Habsburg and Medici Courts
Ryan E. Gregg relates how the Holy Roman Emperor Charles V and Duke Cosimo I of Tuscany both employed city view artists such as Anton van den Wyngaerde and Giovanni Stradano to aid in constructing authority.
Drama and Devotion
Looks at the efforts of the J Paul Getty Museum to preserve and expose a stunning 16th century triptych. This book documents the dramatic process of revealing the brilliance of a 16th-century masterpiece.
The Restauration of Paintings
Describes steps necessary for the preservation of paintings, including the supports, paint layer, and varnish layer. Outlines both traditional and contemporary techniques.
Robert Campin
Robert Campin is one of the most important figures in the history of Early Netherlandish painting, yet his work , and even his identity, is still higly controversial. The nineteen studies presented here provide a range of new research from leading scholars which will provide a fresh basis for assessing Campin's oeuvre. New technical studies of several of the most important pictures in the Campin group allow a reassessment of the internal coherence of the group itself, while other studies examine a range of contemporary material in order to pose new questions concerning sources, iconography and influence and shed new light on the status of many works associated with Campin. I. EXAMINING CAMPI...
