Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Migrating Words and Worlds
The essays presented here, demonstrating concepts of Pan-Africanism, which, historically, were concerned with colonialism, racial identity, and African unity, extend the discussion of an Africa' that exists beyond the continent and includes the Caribbean, the Americas and Europe.'
Who Gives to Whom? Reframing Africa in the Humanitarian Imaginary
In this innovative volume, experts from international relations, anthropology, sociology, global public health, postcolonial African literature, and gender studies, take up Ngūgī wa Thiong’o’s challenge to see how Africa gives to the west instead of the reverse. Humanitarian assumptions are challenged by unpacking critical legacies from colonial and missionary genealogies to today’s global networks of nongovernmental organizations (NGOs). Who Gives to Whom: Reframing Africa in the Humanitarian Imaginary is a decolonial gesture that builds on Ngūgī’s work as well as that of pan-Africanist and intersectional feminist scholars. Contributions range from assessing the impact of historical legacies of colonialism on gender, religious/secular attempts at “saving” Africans to (South) African unrealized project to reconfigure foreign policy frameworks shaped by apartheid. Case studies of “silver bullet” solutions focus on the incorporation of women in peacebuilding, microfinance, and e-waste disposal, to argue that humanitarian interventions continue to mask ongoing forms of despoiling African well-being while shortchanging intersectional African forms of agency.
French Cultural Studies
Addresses the theoretical and pedagogical implications of redefining French Studies as an interdisciplinary field, while providing practical examples of the kind of criticism that such a shift would entail.
Free and French in the Caribbean
“All the ingredients to become the next important book in the field of postcolonial studies with the emphasis on French Caribbean culture and literature.”—Daniel Desormeaux, University of Chicago In Free and French in the Caribbean, John Patrick Walsh studies the writings of Toussaint Louverture and Aimé Césaire to examine how they conceived of and narrated two defining events in the decolonializing of the French Caribbean: the revolution that freed the French colony of Saint-Domingue in 1803 and the departmentalization of Martinique and other French colonies in 1946. Walsh emphasizes the connections between these events and the distinct legacies of emancipation in the narratives of ...
Queer Social Philosophy
In Queer Social Philosophy, Randall Halle analyzes key texts in the tradition of German critical theory from the perspective of contemporary queer theory, exposing gender and sexuality restrictions that undermine those texts' claims of universal truth. Addressing such figures as Kant, Hegel, Marx, Nietzsche, Adorno, and Habermas, Halle offers a unique contribution to contemporary debates about sexuality, civil society, and politics.
Decolonising the Intellectual
This book explores the impossible dilemma facing Francophone intellectuals writing in the lead-up to decolonisation: How could they redefine their culture, and the 'humanity' they felt had been denied by the colonial project, in terms that did not replicate the French thinking by which they were formed?
Democratization in Africa
"The country-specific chapters serve to underline the differences between African democracy and liberal democracy, yet some authors are at pains to emphasize that whatever their limitations, African democracies are an advance over what had gone before." -- African Studies Review
Humanitarian Fictions
Humanitarianism has a narrative problem. Far too often, aid to Africa is envisioned through a tale of Western heroes saving African sufferers. While labeling white savior narratives has become a familiar gesture, it doesn’t tell us much about the story as story. Humanitarian Fictions aims to understand the workings of humanitarian literature, as they engage with and critique narratives of Africa. Overlapping with but distinct from human rights, humanitarianism centers on a relationship of assistance, focusing less on rights than on needs, less on legal frameworks than moral ones, less on the problem than on the nonstate solution. Tracing the white savior narrative back to religious mission...
Deep Histories
Most of the 13 essays presented here were originally presented at the January 1997 "Gender and Colonialism" conference held at the U. of Western Cape (South Africa). Presented by Woodward (English and cultural studies, U. of the Western Cape), Hayes (history, U. of the Western Cape), and Minkley (history, U. of the Western Cape), the contributions address both colonial and postcolonial issues of identity in Southern Africa from a variety of perspectives within contemporary critical and feminist theories. Topics include slave women's rhetoric and the Eastern Cape courts, ideologies of domesticity and the British construction of the "primitive," Dutch- Afrikaans women's entry into the public sphere in the Cape Colony, male nursing in the mines of 20th-century South Africa, and "gender- blending" and "code-switching" in the South African novel. Annotation copyrighted by Book News, Inc., Portland, OR
German Film after Germany
What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies.
