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New Deal Modernism
In New Deal Modernism Michael Szalay examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s, and, conversely, what difference this revised modernism made to the New Deal’s famed invention of “Big Government.” Szalay situates his study within a liberal culture bent on security, a culture galvanized by its imagined need for private and public insurance. Taking up prominent exponents of social and economic security—such as Franklin Delano Roosevelt, John Maynard Keynes, and John Dewey—Szalay demonstrates how the New Deal’s revision of free-market culture required rethinking the political function of aesthetics. Focusing in particular on the modernist fascination with the relation between form and audience, Szalay offers innovative accounts of Busby Berkeley, Jack London, James M. Cain, Robert Frost, Ayn Rand, Betty Smith, and Gertrude Stein, as well as extended analyses of the works of Ernest Hemingway, John Steinbeck, and Richard Wright.
Women and Rhetoric between the Wars
In Women and Rhetoric between the Wars, editors Ann George, M. Elizabeth Weiser, and Janet Zepernick have gathered together insightful essays from major scholars on women whose practices and theories helped shape the field of modern rhetoric. Examining the period between World War I and World War II, this volume sheds light on the forgotten rhetorical work done by the women of that time. It also goes beyond recovery to develop new methodologies for future research in the field. Collected within are analyses of familiar figures such as Jane Addams, Amelia Earhart, Helen Keller, and Bessie Smith, as well as explorations of less well known, yet nevertheless influential, women such as Zitkala-Š...
Paterson
William Carlos Williams (1883–1963), like his friend Ezra Pound, never finished his magnum opus, a poem as impossibly ambitious as the Cantos, but richly invested in the present world. It was published over a period of a dozen years (1946–1958) in five books, the sixth left incomplete. The first book was welcomed by the great American poet-critic Randall Jarrell. He called it 'the best thing Williams has ever written' – 'how wonderful and unlikely that this extraordinary mixture of the most delicate lyricism of perception and feeling with the hardest and homeliest actuality should ever have come into being! There has never been a poem more American.' He was disappointed with the books ...
Aerospace Science
A textbook history of flight in the United States, prepared for use in courses of the Air Force Junior ROTC.
Flying Magazine
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Think to New Worlds
How a writer who investigated scientific anomalies inspired a factious movement and made a lasting impact on American culture. Flying saucers. Bigfoot. Frogs raining from the sky. Such phenomena fascinated Charles Fort, the maverick writer who scanned newspapers, journals, and magazines for reports of bizarre occurrences: dogs that talked, vampires, strange visions in the sky, and paranormal activity. His books of anomalies advanced a philosophy that saw science as a small part of a larger system in which truth and falsehood continually transformed into one another. His work found a ragged following of skeptics who questioned not only science but the press, medicine, and politics. Though the...
The Winged Gospel
Exploring these early years of aviation, Joseph Corn describes the fascinating, and often bizarre, plans for the future of manned flight and brings back to life the famous and lesser-known aviators who became American heroes.
Aeronautics and Space Flight Collections
Aeronautics and Space Flight Collections serves as a narrative survey of important sources and library holdings concerning Aerospace History in the United States with reference to other countries. It brings to life the human fascination with flight.
Amelia Earhart
She died mysteriously before she was forty. Yet in the last decade of her life Amelia Earhart soared from obscurity to fame as the best-known female aviator in the world. She set record after record—among them, the first trans-Atlantic solo flight by a woman, a flight that launched Earhart on a double career as a fighter for women's rights and a tireless crusader for commercial air travel. Doris L. Rich's exhaustively researched biography downplays the “What Happened to Amelia Earhart?” myth by disclosing who Amelia Earhart really was: a woman of three centuries, born in the nineteenth, pioneering in the twentieth, and advocating ideals and dreams relevant to the twenty-first.
