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Shadowplay
In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how ...
Shadowplay
In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how ...
Shadowplay
In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how ...
Shakespeare's Unorthodox Biography
It successfully argues that "William Shakespeare" was the pen name of an aristocrat, and that William Shakespeare of Stratford-upon-Avon was a shrewd entrepreneur, not a dramatist."--BOOK JACKET.
Shakespeare and the Culture of Christianity in Early Modern England
The question of Shakespeare's Catholic contexts has occupied many scholars in recent years and this study brings together 16 original essays examining Shakespeare's work in the light of revisionist scholarship, from monastic life in 'Measure for Measure' to Puritanism in 'Hamlet'.
H. H. Asquith Letters to Venetia Stanley
H. H. Asquith fell in love with Venetia Stanley in the spring of 1912. Over the next three years he wrote to her whenever he could not see her: sometimes three times a day, sometimes during a debate in the house of Commons, on occasion even during a Cabinet meeting. He shared many political and military secrets with her and wrote freely of his colleagues in government, who included LLoyd George, Churchill, and Kitchener. The correspondence ended abruptly in May 1915 when Venetia told Asquith of her engagement to a junior Cabinet Minister, Edwin Montagu. The Prime Minister, who was at a crisis in his political fortunes, confessed himself utterly heart-broken. This reissue of Asquith's letters to Venetia Stanley includes explanatory notes from Michael and Eleanor Brock, two of the leading authorities in the field. This volume documents a romance, and yet is vital reading for anyone interested in the history of World War I or in British politics of the time.
A Bitter Trial
For the last decade of his life, Evelyn Waugh experienced the changes being made to the Church's liturgy to be nothing short of "a bitter trial". In Cardinal Heenan he found a sympathetic pastor and a kindred spirit. This volume makes available the previously unpublished correspondence between these prominent Catholics, revealing in both an incisive disquiet.
Shakespeare and Elizabeth
This book explores the history of invented encounters between Shakespeare and the Queen Elizabeth I, and examines how and why the mythology of these two cultural icons has been intertwined in British and American culture. It follows the history of meetings between the poet and the queen through historical novels, plays, paintings, and films, ranging from works such as Sir Walter Scott's Kenilworth and the film Shakespeare in Love to lesser known examples. Raising questions about the boundaries separating scholarship and fiction, it looks at biographers and critics who continue to delve into links between these two. In the Shakespeare authorship controversy there have even been claims that Shakespeare was Elizabeth's secret son or lover, or that Elizabeth herself was the genius Shakespeare. The author examines the reasons behind the lasting appeal of their combined reputations, and locates this interest in their enigmatic sexual identities, as well as in the ways they represent political tensions and national aspirations.
Restoration Heart
'Breathtaking untold story . . . riotously colourful' Mail on Sunday 'I read most of it in one exciting sitting. It is brilliant, gripping and sad' Harry Mount Restoration Heart is a story of love, double divorce and redemption. It is a biography of the heart, and of a house. When William Cash suffers a post-divorce, mid-life breakdown, aged 43, life seemed bleak - but things were about to change. Like William himself, his old Shropshire family house Upton Cressett was in as much in need of being rescued and 'fixed up' as its owner. As William embarks on re-building his life and ruin of a country house, he starts looking again for love. But money, patience and the likelihood of ever finding ...
The Secret Keeper
A cloth bag containing ten copies of the title.
