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This book is a bilingual edition of a Czech original published by PmD Munich in 1990. The English is a co-translation between the author and Clarice Cloutier. It contains an original color collage by the well-known artist Jiří Kolář. It is a book of existential and "semiotic" poetry. Bound in hand-made paper.
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Výbor ze studií literárního historika a editora Martina Machovce, které vznikaly v posledních dvou dekádách (2000–2018), představuje celou řadu faset uvažování o fenoménu undergroundu. V jednotlivých studiích se zabývá zejména undergroundovou literaturou z okruhu I. M. Jirouse a rockové skupiny The Plastic People of the Universe, ale věnuje pozornost i širším souvislostem této literatury – jejím předchůdcům z 50. let (okruh Egona Bondyho a Ivo Vodseďálka), roli ve společenství Charty 77, vazbám na angloamerické prostředí nebo hudebním a scénickým realizacím a způsobu, jakým byly tyto texty v samizdatu šířeny. In this collection of writings pr...
Where Everyone Leaves, Never to Return is a captivating collection of poems in which Czech poet Bronislava Volková, a jongleur of contemporary verse, masterfully combines voice and nuance as she saunters through love, loss, mortality, and eternal life. With a sharp wit, her verses render playful catechisms of why “a loving God can make an unloving man “ but they also dive deep into self-discovery, achieving, even if just for an instant, the hard-earned right to a “joyous spirit of inner being.“ Her work is a testament to her life lived in full--a diverse and all-encompassing experience.
A bilingual Czech/English book of metaphysical and inspirational poetry with six color collages by author.
How did the classical tradition survive on the North Sea shores? This richly illustrated book explores the interplay between art and erudition in the seventeenth century. It analyses the sources, editions, and reception of Franciscus Junius’s writings to chart how ideas about Northern European painting, from Van Dyck to Rembrandt, developed as a counterweight to the Italian tradition. Thus the language of art in Junius’s The Painting of the Ancients appears to be related to his seminal work in the field of Germanic linguistics and his discovery of the shared pre-Christian civilization of Holland and England. Junius’s innovative pairing of scholarship to the painter’s practice illuminates the reception of antiquity and the creation of an Anglo-Dutch artistic Arcadia.
A bilingual (Czech/English) book of existential poetry healing civilizational issues of violence, racism and sexism. Contains 8 color collages by author. English part edited by Carl Bulkin and Clarice Cloutier. Preface about bilingual writing by Bronislava Volková, afterword by Maria Banerjee-N¿mcová.