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Fighting Is Like a Wife
In Fighting is Like a Wife, Eloisa Amezcua uses striking visual poems to reconstruct the love story—and the tragedy—of two-time world boxing champion “Schoolboy” Bobby Chacon and his first wife, Valorie Ginn. Bobby took to fighBobby took to fighting the way a surfer takes to water: the waves and crests, the highs and the pummeling lows. Valorie, as girlfriend, then wife, then mother of their children, was proud of Bobby and how he found a way out of the harsh world they were born into. But the brain-sloshing blows, the women, and the alcohol began to take their toll, and soon Bobby couldn’t hear her anymore. With her fate affixed to Bobby’s, and Bobby’s to the ring, Valorie sought her own way out of this dilemma. Using haunting, visceral language to evoke the emotion of the fight, and incorporating direct quotations from sports commentators and Bobby himself, Fighting Is Like a Wife reveals how boxing, like love and poetry, can be brutal, vulnerable, and surprising.
From the Inside Quietly
Poetry
Fighting Is Like a Wife
Boxing, like love, is about vulnerability. It's about standing in front of someone knowing you will hurt each other and trying to make it out alive. In Fighting is Like a Wife, Eloisa Amezcua uses striking visual poems to reconstruct the love story--and the tragedy--of two-time world boxing champion Bobby "Schoolboy" Chacon and his first wife Valorie Ginn. Bobby took to fighting the way a surfer takes to water: the waves and crests, the highs and the pummeling lows. Valorie, as girlfriend, then wife, then mother of their children, was proud of Bobby and how he found a way out of poverty for them. But the brain-sloshing blows, the women, and the alcohol began to take their toll, and soon Bobby couldn't hear her anymore. How could Valorie reclaim her agency when the partner she'd relied on to be her champion no longer seemed to know who he was outside the ring? Using haunting, visceral language to evoke the emotion of the fight, and incorporating direct quotations from Bobby himself, Fighting is Like a Wife reveals how boxing, like love and poetry, can be brutal, unguarded, and surprising.
The Nightfields
A WASHINGTON POST BEST POETRY COLLECTION OF 2020 A new collection from a poet whose books "are an amazing experience: harrowing, ravishing, essential, unstoppable" (Louise Glück) Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.
Symptoms of Teething
A chapbook of poetry
Song
Winner of the 1994 Lamont Poetry selection of The Academy of American Poets. "Kelly has a talent for coaxing out the world's ghosts and then fixing them in personal landscapes of fear and uncertainty.... Smoothed by nuances of sound and rhythm, her poems exude an ambiguous wisdom, an acceptance of the sad magic that returns us constantly to the lives we might have led."--Library Journal
Citizen Illegal
“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today
Seam
The poems in this captivating collection weave beauty with violence, the personal with the historic as they recount the harrowing experiences of the two hundred thousand female victims of rape and torture at the hands of the Pakistani army during the 1971 Liberation War. As the child of Bangladeshi immigrants, the poet in turn explores her own losses, as well as the complexities of bearing witness to the atrocities these war heroines endured. Throughout the volume, the narrator endeavors to bridge generational and cultural gaps even as the victims recount the horror of grief and personal loss. As we read, we discover the profound yet fragile seam that unites the fields, rivers, and prisons o...
Catcalling
A blistering, expansive debut collection addressing sexual violence, #MeToo, and familial violence from one of the hottest new voices in Korean poetry.
The Book of Nightmares
A book-length poem evokes the horror, anguish, and brutality of 20th century history.
