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The Ground I Stand on is Not My Ground
Poetry. Art. THE GROUND I STAND ON IS NOT MY GROUND, selected by Forrest Gander as the winner of Drunken Boat's 2014 poetry book contest, is a hybrid of poetry and digital art. The poems erase historical documents related to the development and aftermath of the Pacific War, especially on the island of Okinawa. Erased into poems, these texts become spare narratives of how individual soldiers' and civilians' daily lives were transformed by the war. Using QR codes, each poem links to an interactive version at the book's companion website, where readers can explore original documents ranging from government documents and political manifestos to travel narratives, blockbuster adventure fiction, a...
On the Other Side, Blue
A brave and beautiful work that navigates the complex emotional landscape of grief
Translingual Poetics
Since the 1980s, poets in Canada and the U.S. have increasingly turned away from the use of English, bringing multiple languages into dialogue—and into conflict—in their work. This growing but under-studied body of writing differs from previous forms of multilingual poetry. While modernist poets offered multilingual displays of literary refinement, contemporary translingual poetries speak to and are informed by feminist, anti-racist, immigrant rights, and Indigenous sovereignty movements. Although some translingual poems have entered Chicanx, Latinx, Asian American, and Indigenous literary canons, translingual poetry has not yet been studied as a cohesive body of writing. The first book-...
Rationalism
None
Domination and Resistance
Domination and Resistance illuminates the twin themes of superpower domination and indigenous resistance in the central Pacific during the Cold War, with a compelling historical examination of the relationship between the United States and the Republic of the Marshall Islands. For decision makers in Washington, the Marshall Islands represented a strategic prize seized from Japan near the end of World War II. In the postwar period, under the auspices of a United Nations Trusteeship Agreement, the United States reinforced its control of the Marshall Islands and kept the Soviet Union and other Cold War rivals out of this Pacific region. The United States also used the opportunity to test a vast...
Steep Tea
Steep Tea is Singapore-born Jee Leong Koh's fifth collection and the first to be published in the UK. Koh's poems share many of the harsh and enriching circumstances that shape the imagination of a postcolonial queer writer. They speak in a voice both colloquial and musical, aware of the infusion of various traditions and histories. Taking leaves from other poets - Elizabeth Bishop, Eavan Boland, and Lee Tzu Pheng, amongst others - Koh's writing is forged in the known pleasures of reading, its cultures and communities.
Desde Hong Kong
A unique volume of multicultural verse: Octavio Paz - Mexican writer, poet, diplomat and public intellectual, winner of the Premio Cervantes and the Nobel Prize in Literature - built bridges among cultures, and especially among poets. His connections with Asia were considerable. Moved by the wisdom and lyrical thrust of Chinese poetry, he translated some 60 classical poems primarily from the Tang and Song dynasties. These are still considered the best translations of Chinese poems in Spanish, and among the best in any language. Paz also served as ambassador to India, and wrote lucidly on South Asia and its culture. Desde means "from" and this anthology of original poetry from Hong Kong and beyond commemorates the centenary of the poet's birth and illustrates the continuing ability of Paz's poetry to inspire and stimulate across decades, cultures and oceans.
Out of the Closet, Into the Archives
Finalist for the 2016 Lambda Literary Award in LGBT Anthology presented by the Lambda Literary Foundation Out of the Closet, Into the Archives takes readers inside the experience of how it feels to do queer archival research and queer research in the archive. The archive, much like the closet, exposes various levels of public and privateness—recognition, awareness, refusal, impulse, disclosure, framing, silence, cultural intelligibility—each mediated and determined through subjective insider/outsider ways of knowing. The contributors draw on their experiences conducting research in disciplines such as sociology, African American studies, English, communications, performance studies, anth...
Look at This Blue
Interweaving elegy, indictment, and love letter to California, Look at This Blue calls into America's genocidal past and present as it warns of a future threatened by mass extinction and climate peril. Stark, immediate truths permeate this book-length poem by American Book Award winner Allison Adelle Hedge Coke. From found historical materials to piercing, lyric fragments, these poems form a taxonomy of threatened lives--human, plant, and animal--in a century marked by climate emergency. Look at This Blue insists upon a reckoning with America's continuing violence toward Earth and its indigenous people, as Hedge Coke's hypnotic litany of loss spirals into a powerful crescendo of resistance.
Shame / Shame
"Devin Becker's Shame | Shame is a brilliant debut collection. Here, the prose poem has been re-imagined as a cinematic vignette, yet rooted as deeply in the American Northwest as anything in Richard Hugo and David Lynch. Raw, intimate, and elliptical in its metaphysics, Devin Becker's poetry captures an idiomatic recklessness while navigating those angular narratives of our contemporary lives."—David St. John Devin Becker grew up in Fort Wayne, Indiana, and lives in Moscow, Idaho, where he works as digital initiatives librarian at the University of Idaho Library. He was named a 2014 "Mover and Shaker" by Library Journal.
