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Takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the importan...
Issue for Dec. 1953 (v. 3, no. 3/4) cumulative from 1950.
The Teachers License Examination Series is designed to provide objective measurement of the knowledge, skills and abilities required of teachers.
The candid, revealing autobiography of soccer's greatest and most controversial star. “Sometimes I think that my whole life is on film, that my whole life is in print. But it’s not like that. There are things which are only in my heart—that no one knows. At last I have decided to tell everything.”—Diego Maradona A poor boy from a Buenos Aires shanty town, Diego Maradona became a genius with the soccer ball, kicking his way to the heights of South American, European, and world soccer, yet his struggles with the pressures of life inside and outside the game repeatedly threatened to tear him and his legend down. Hero or villain, one thing about Maradona is certain: He was the greatest...
Awash in small-town gossip, petty jealousy, and intrigues, Manuel Puig's Heartbreak Tango is a comedic assault on the fault lines between the disappointments of the everyday world, and the impossible promises of commercials, pop songs, and movies. This melancholy and hilarious tango concerns the many women in orbit around Juan Carlos Etchepare, an impossibly beautiful Lothario wasting away ever-so-slowly from consumption, while those who loved and were spurned by him move on into workaday lives and unhappy marriages. Part elegy, part melodrama, and part dirty joke, this wicked and charming novel demonstrates Manuel Puig's mastery of both the highest and lowest forms of life and culture.
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