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MedienAlltag
Ausgehend vom in den britischen Cultural Studies entwickelten Domestizierungskonzept nimmt der Band einerseits aktuelle Prozesse der Verbreitung digitaler Medien und ihre Folgen für Alltag, Zusammenleben und Medienfunktionen in den Blick (Internet, Mobiltelefon). Er verbindet dies andererseits mit einem historischen Rückblick auf Domestizierungsprozesse ‚alter' Medien wie Radio, Fernsehen, Telefon. Im Zentrum steht vor allem der häusliche Kontext als Ort der Medienaneignung, aber auch die Interaktion mit mobiler Kommunikation und anderen sozialen Räumen.
Media Convergence and Deconvergence
This edited volume explores different meanings of media convergence and deconvergence, and reconsiders them in critical and innovative ways. Its parts provide together a broad picture of opposing trends and tensions in media convergence, by underlining the relevance of this powerful idea and emphasizing the misconceptions that it has generated. Sergio Sparviero, Corinna Peil, Gabriele Balbi and the other authors look into practices and realities of users in convergent media environments, ambiguities in the production and distribution of content, changes to the organization of media industries, the re-configuration of media markets, and the influence of policy and regulations. Primarily addressed to scholars and students in different fields of media and communication studies, Media Convergence and Deconvergence deconstructs taken-for-granted concepts and provides alternative and fresh analyses on one of the most popular topics in contemporary media culture. Chapter 1 is available open access under a CC BY 4.0 license at link.springer.com
Digital Roots
As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The...
J.R.R. Tolkien in Central Europe
This volume is a long overdue contribution to the dynamic, but unevenly distributed study of fantasy and J.R.R. Tolkien’s legacy in Central Europe. The chapters move between and across theories of cultural and social history, reception, adaptation, and audience studies, and offer methodological reflections on the various cultural perceptions of Tolkien’s oeuvre and its impact on twenty-first century manifestations. They analyse how discourses about fantasy are produced and mediated, and how processes of re-mediation shape our understanding of the historical coordinates and local peculiarities of fantasy in general, and Tolkien in particular, all that in Central Europe in an age of global fandom. The collection examines the entanglement of fantasy and Central European political and cultural shifts across the past 50 years and traces the ways in which its haunting legacy permeates and subverts different modes and aesthetics across different domains from communist times through today’s media-saturated culture.
The Routledge Handbook of Media and Technology Domestication
This Handbook offers a comprehensive overview of media domestication – the process of appropriating new media and technology – and delves into the theoretical, conceptual and social implications of the field’s advancement. Combining the work of the long-established experts in the field with that of emerging scholars, the chapters explore both the domestication concept itself and domestication processes in a wide range of fields, from smartphones used to monitor drug use to the question of time in the domestication of energy buildings. The international team of authors provide an accessible and thorough assessment of key issues, themes and problems with and within domestication research...
Advertising in Contemporary Consumer Culture
This is the first scholarly book dedicated to reading the work of contemporary filmmakers and their impact on modern marketing and advertising. Drawing from consumer culture theory, film and media studies, the author presents an expansive analysis of a range of renowned filmmakers who have successfully applied their aesthetic and narrative vision to commercial advertising. It challenges some traditional advertising tropes and sheds light on the changing nature of advertising in the contemporary media context. Utilising Deleuze and Guattari’s notion of assemblage, this book addresses themes of spatiality and time, narrative and aesthetics and consumer reception within a new frame of referen...
Communication Maintenance in Longue Durée
This interdisciplinary volume focuses on the politics, economics, technologies, uses, and cultures of maintenance of different forms of communication over long time or in Longue Durée. Throughout the chapters, contributors from a wide range of fields explore transversal and trans-temporal issues of communication maintenance. Among these are the struggles to keep communication infrastructures functioning, the hidden work of maintenance done by both experts and non-experts such as everyday users, the political significance of maintaining communications (or not maintaining them), and the different habits and significance of maintenance in different times and world regions. The forms of communi...
World Christianity and Covid-19
This volume explores how Christians around the world have made sense of the meaning of suffering in the context of and post-COVID-19. It interrogates the question of God, suffering, and structural injustice. Further, it discusses the Christian response to the compounded threats of racial injustice, climate injustice, wildlife injustice, gender injustice, economic injustice, political injustice, unjust in the distributions of the vaccine and future challenges in the post-COVID-19 era. The contributions are authored by scholars, students, activists and clergy from various fields of inquiry and church traditions. The volume seeks to deepen Christian understanding of the meaning of suffering in the context of COVID-19 pandemic. It explores the fresh ways the pandemic can contribute to reconceptualizing human relations and specifically, what it means to be human in the context of suffering, the place of or justifications of God in suffering, human place in creation, and the role of the church in re-articulating the theological meanings and praxes of suffering for today.
Transmedia Character Studies
Transmedia Character Studies provides a range of methodological tools and foundational vocabulary for the analysis of characters across and between various forms of multimodal, interactive, and even non-narrative or non-fictional media. This highly innovative work offers new perspectives on how to interrelate production discourses, media texts, and reception discourses, and how to select a suitable research corpus for the discussion of characters whose serial appearances stretch across years, decades, or even centuries. Each chapter starts from a different notion of how fictional characters can be considered, tracing character theories and models to approach character representations from perspectives developed in various disciplines and fields. This book will enable graduate students and scholars of transmedia studies, film, television, comics studies, video game studies, popular culture studies, fandom studies, narratology, and creative industries to conduct comprehensive, media-conscious analyses of characters across a variety of media.
Indie Cinema Online
Indie Cinema Online investigates the changing nature of contemporary American independent cinema in an era of media convergence. Focusing on the ways in which modes of production, distribution, and exhibition are shifting with the advent of online streaming, simultaneous release strategies, and web series, this book analyzes sites such as SundanceTV, YouTube, Netflix, Hulu, and other online spaces as a means of redefining independent cinema in a digital era. Analyzing the intersections among cinema studies, cultural studies, and new media studies within contemporary convergence culture, author Sarah E.S. Sinwell looks at sites of media convergence that are often ignored within most studies of digital media. Emphasizing the ways in which the forms and technologies of media culture have changed during the age of convergence, this book analyzes contemporary production, distribution, and exhibition practices as a means of examining the changing meanings of independent cinema within digital culture.
