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MedienAlltag
Ausgehend vom in den britischen Cultural Studies entwickelten Domestizierungskonzept nimmt der Band einerseits aktuelle Prozesse der Verbreitung digitaler Medien und ihre Folgen für Alltag, Zusammenleben und Medienfunktionen in den Blick (Internet, Mobiltelefon). Er verbindet dies andererseits mit einem historischen Rückblick auf Domestizierungsprozesse ‚alter' Medien wie Radio, Fernsehen, Telefon. Im Zentrum steht vor allem der häusliche Kontext als Ort der Medienaneignung, aber auch die Interaktion mit mobiler Kommunikation und anderen sozialen Räumen.
Digital Culture & Society (DCS)
Modern mundane life is brimming with a variety of data-driven technologies that are supposed to augment the practices they are involved in. As humans bring these technologies into their lives in a process of domestication, they tame them and are simultaneously influenced by their presence. In combining domestication research and an empirical analysis of current, digital, and interconnected media, this issue examines the process of taming with an emphasis on practices. The contributions in this issue explore the use of digitally connected media such as vacuum robots, smart speakers, drones, and kitchen appliances with reference to the domestication paradigm from interdisciplinary perspectives including media studies, sociology, anthropology, and human-computer interaction.
Digital Roots
As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The...
Refugees on the Move
The political economy of migration / Sungur Savran -- War, migration, and class / Kemal Vural Tarlan -- Images as border : on the visual production of the "migration crisis" / Mariam Durrani and Arjun Shankar -- Why do employment and socioeconomic integration have a strained relationship? The international protection context and Syrians in Turkey / Saime Özçürümez and Deniz Yıldırım -- Welfare nationalism and rising prejudice against migrants in Central and Eastern Europe / Anıl Duman -- Vulnerable permanency in mass influx : the case of Syrians in Turkey / Ahmet İçduygu and Damla B. Aksel -- Legal topography of the 2015 European refugee "crisis" / Everita Silina -- "The preparatio...
After the Nazis
A wide-ranging, insightful history of culture in West Germany—from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period’s progressive ideals. In this moment of cultural stasis, how could West Germany’s artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen’s innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past—and eventually allow democracy to reemerge.
The Routledge Handbook of Media and Technology Domestication
This Handbook offers a comprehensive overview of media domestication – the process of appropriating new media and technology – and delves into the theoretical, conceptual and social implications of the field’s advancement. Combining the work of the long-established experts in the field with that of emerging scholars, the chapters explore both the domestication concept itself and domestication processes in a wide range of fields, from smartphones used to monitor drug use to the question of time in the domestication of energy buildings. The international team of authors provide an accessible and thorough assessment of key issues, themes and problems with and within domestication research...
Communication Maintenance in Longue Durée
This interdisciplinary volume focuses on the politics, economics, technologies, uses, and cultures of maintenance of different forms of communication over long time or in Longue Durée. Throughout the chapters, contributors from a wide range of fields explore transversal and trans-temporal issues of communication maintenance. Among these are the struggles to keep communication infrastructures functioning, the hidden work of maintenance done by both experts and non-experts such as everyday users, the political significance of maintaining communications (or not maintaining them), and the different habits and significance of maintenance in different times and world regions. The forms of communi...
Media Convergence and Deconvergence
This edited volume explores different meanings of media convergence and deconvergence, and reconsiders them in critical and innovative ways. Its parts provide together a broad picture of opposing trends and tensions in media convergence, by underlining the relevance of this powerful idea and emphasizing the misconceptions that it has generated. Sergio Sparviero, Corinna Peil, Gabriele Balbi and the other authors look into practices and realities of users in convergent media environments, ambiguities in the production and distribution of content, changes to the organization of media industries, the re-configuration of media markets, and the influence of policy and regulations. Primarily addressed to scholars and students in different fields of media and communication studies, Media Convergence and Deconvergence deconstructs taken-for-granted concepts and provides alternative and fresh analyses on one of the most popular topics in contemporary media culture. Chapter 1 is available open access under a CC BY 4.0 license at link.springer.com
Uneven Connections
In the first years of the 21st century, economic liberalisation began to transform telecommunications services throughout the Pacific Islands. Government regulators, corporate executives and everyday consumers hopefully imagined that opening mobile phone markets to competition would result in greater access, lower costs and accelerated development. Uneven Connections examines the ways in which liberalisation took hold in Papua New Guinea (PNG) when a unit of the Caribbean-based mobile network operator Digicel Group Ltd. seized the opportunity to compete with the state-sponsored incumbent. The book highlights how mobile phones entered the lives of urban and rural Papua New Guineans after Digi...
Indie Cinema Online
Indie Cinema Online investigates the changing nature of contemporary American independent cinema in an era of media convergence. Focusing on the ways in which modes of production, distribution, and exhibition are shifting with the advent of online streaming, simultaneous release strategies, and web series, this book analyzes sites such as SundanceTV, YouTube, Netflix, Hulu, and other online spaces as a means of redefining independent cinema in a digital era. Analyzing the intersections among cinema studies, cultural studies, and new media studies within contemporary convergence culture, author Sarah E.S. Sinwell looks at sites of media convergence that are often ignored within most studies of digital media. Emphasizing the ways in which the forms and technologies of media culture have changed during the age of convergence, this book analyzes contemporary production, distribution, and exhibition practices as a means of examining the changing meanings of independent cinema within digital culture.
