Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Sanskrit Poetry
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated at the royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.
Sanskrit Poetry, from Vidyakara's Treasury
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interseted in this multifaceted and elegant tradition.
Sanskrit and Indian Studies
From the Subhdsitaratnakosa, Verse No. 1729: vahati na pural) kascit pasclill na ko 'py anuyati mam na ca navapadak~ul)l)o marga!) katham nv aham ekaka!) bhavatu viditam purvavyu.
Design and Rhetoric in a Sanskrit Court Epic
Indira Viswanathan Peterson provides an introduction to the Sanskrit court epic (mahākāvya), an important genre in classical Indian poetry, and the first study of a celebrated sixth-century poem, the Kirātārjunīya (Arjuna and the Hunter) of Bhāravi. Sanskrit court epics are shown to be characterized both by formalism and a deep engagement with enduring Indian values. The Kirātārjunīya is the earliest literary treatment of the narrative of the Pandava hero Arjuna's combat with the great god Śiva, a seminal episode in the war epic Mahābhārata. Through a close analysis of the structural strategies of Bhāravi's poem, the author illuminates the aesthetic of the mahākāvya genre. Pet...
Sanskrit Poetry, from Vidyākara's Treasury
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.
The Making of Romantic Love
Here, Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent - or innocent enough. Reddy strikes out from this historical moment on an exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal.
The Dhvanyāloka of Ānandavardhana with the Locana of Abhinavagupta
For nearly a thousand years the brilliant analysis of aesthetic experience set forth in the Locana of Abhinavagupta, India's founding literary critic, has dominated traditional Indian theory on poetics and aesthetics. The Locana, presented here in English translation for the first time, is a commentary on the ninth-century Dhvanyaloka of Anandavardhana, which is itself the pivotal work in the history of Indian poetics. The Dhvanyaloka revolutionized Sanskrit literary theory by proposing that the main goal of good poetry is the evocation of a mood or "flavor" (rasa) and that this process can be explained only by recognizing a semantic power beyond denotation and metaphor, namely, the power of...
The Mahabharata
None
Dignaga on the Interpretation of Signs
Buddhist philosophy in India in the early sixth century C. E. took an important tum away from the traditional methods of explaining and systematizing the teachings in Siitra literature that were attributed to the Buddha. The new direction in which several Indian Buddhist philosophers began to move was that of following reasoning to its natural conclusions, regardless whether the conclusions conflicted with traditional teachings. The central figure in this new movement was DiIinaga, a native of South India who found his way to the centre of Buddhist education at Nalanda, studied the treatises that were learned by the Buddhist intellectuals of his day, and eventually wrote works of his own tha...
