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Education, the production of knowledge, identity formation, and ideological hegemony are inextricably linked in early modern and modern Korea. This study examines the production and consumption of knowledge by a multitude of actors and across languages, texts, and disciplines to analyze the formulation, contestation, and negotiation of knowledge. The production and dissemination of knowledge become sites for contestation and struggle—sometimes overlapping, at other times competing—resulting in a shift from a focus on state power and its control over knowledge and discourse to an analysis of local processes of knowledge production and the roles local actors play in them. Contributors are Daniel Pieper, W. Scott Wells, Yong-Jin Hahn, Furukawa Noriko, Lim Sang Seok, Kokubu Mari, Mark Caprio, Deborah Solomon, and Yoonmi Lee.
Missing Boy On November 28, 2001, in Chester County, South Carolina, police made a grisly discovery. Joe Pittman, 66, and his wife Joy, 62, had been brutally slain with a .410 shotgun and their house set afire with the bodies inside. Their black Nissan Pathfinder was missing. So was their 12-year-old grandson, Christopher Pittman. What had become of the boy? Was he still alive--and if so, for how long? The clock was ticking and time was running out. Bad Seed Christopher was found safe and sound in a neighboring county. But relief turned to suspicion as he told an improbable tale of a black man who'd killed his grandparents and kidnapped him. Eventually, Pittman confessed to the slayings and ...
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In the early 20th century, Korean women began to manifest themselves in the public sphere. Sung Un Gang explores how the women's gaze was reimagined in public discourse as they attended plays and movies, delving into the complex negotiation process surrounding women's public presence. In this first extensive study of Korean female spectators in the colonial era, he analyzes newspapers, magazines, fictions, and images, arguing that public discourse aimed to mold them into a male-driven and top-down modernization project. Through a meticulous examination of historical sources, this study reconceptualizes colonial Korean female spectators as diverse, active agents with their own politics who played a crucial role in shaping colonial publicness.
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