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Daniel Zimmermann (b. 1966, CH) is a visual artist and film-maker. His films, installations and performances touch the interface between visual art and action. The artist reacts to situations and environments and questions the meaning and sustainability of human behaviour. The Swiss artist?s one-person exhibition is his first retrospective. It presents the new film installation Walden in the context of older videos, photographs and installations that through their juxtaposition emphasise the diversity of his practice. A publication on Walden will accompany the exhibition.00A fir tree is felled in the forest of the Benedictine monastery Admont Abbey and cut into 1.500 planks, which are stacke...
The first volume of Paths to Contemporary French Literature offered a critical panorama of over fifty French writers and poets. With this second volume, John Taylor?an American writer and critic who has lived in France for the past thirty years?continues this ambitious and critically acclaimed project.Praised for his independence, curiosity, intimate knowledge of European literature, and his sharp reader's eye, John Taylor is a writer-critic who is naturally skeptical of literary fashions, overnight reputations, and readymade academic categories. Charting the paths that have lead to the most serious and stimulating contemporary French writing, he casts light on several neglected postwar Fren...
Author: Mick Walker. To Kaaden must go the title of the world's greatest ever 2-stroke engineer. Of course, before MZ came DKW, and really this book is the story of both these two great marques from Zschopau in Southern Saxony. The book also covers Simson and the new era with the Skorpion.
The Moving Form of Film: Historicizing the Medium through Other Media charts the ways in which crossing borders between film and other arts and media can provide an encompassing, inclusive, and non-teleological understanding of film history. Evolutionary narratives of cinema have traditionally adopted the Second World War as a watershed that separates 'classical' Hollywood films from 'modern' European productions, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms - theatre, dance, fairground spect...
Well documented factual account of a planned genocide.
Under very different political regimes for a considerable period, East and West Germany produced some highly innovative & competitive racing machinery. German motorcycles were often in the vanguard of technical progress & were good enough to win world titles. In this respect, the top names in the solo categories were NSU and Kreidler, while BMW, Fath, Munch, & König did the business on three wheels. Like Japan, Germany was faced with rebuilding a shattered country following World War II. Like the Japanese, they overcame all the problems not only to create an economic miracle, but also to construct world-beating motorcycles. Germany's success contributed to the development of the sport in a wide variety of ways -- engineers, machines, riders, circuits, & even record-breakers.
Winner, Grand Prize, French Voices Award In Too Black to Be French, Isabelle Boni-Claverie navigates the complexities of identity, race, and family in a world that constantly questions her belonging. Boni-Claverie's singular account interweaves the extraordinary life experiences of three generations of her family: her grandfather from Ivory Coast, who married a middle-class white woman from southern France in the 1930s; her biological parents, and her mixed-race aunt and white upper-class uncle who adopted her; as well as her own life as a successful film director and writer faced with abiding stereotypes and discrimination. Written with humor and aplomb, Boni-Claverie’s narrative examines...
This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The 1990s witnessed an explosion in women’s writing in France, with a particularly exciting new generation of writer’s coming to the fore, such as Christine Angot, Marie Darrieussecq and Regine Detambel. Other authors such as Paule Constant, Sylvie Germain, Marie Redonnet and Leila Sebbar, who had begun publishing in the 1980s, claimed their mainstream status in the 1990s with new texts. The book provides an up-to-date introduction to an analysis of new women’s writing in contemporary France, including both new writers of the 1990s and their more established counter-parts. The edito...