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How can we best forge a theoretical practice that directly addresses the struggles of once-colonized countries, many of which face the collapse of both state and society in today's era of economic reform? David Scott argues that recent cultural theories aimed at "deconstructing" Western representations of the non-West have been successful to a point, but that changing realities in these countries require a new approach. In Refashioning Futures, he proposes a strategic practice of criticism that brings the political more clearly into view in areas of the world where the very coherence of a secular-modern project can no longer be taken for granted. Through a series of linked essays on culture ...
Springing from ordinary events, or a picture, or an aspect of the priestly life, David Scott's beautifully restrained poems work up the detail into a moment of significance. They are rooted in an English culture, which appears not only in locality, but also in understatement, and the sideways look. But his poetry has wider reverberations, exploring spirituality and ways of praying as well as momentary glimpses of meaning caught in everyday life. David Scott won the National Poetry Competition in 1978, and this new retrospective draws on all the books he has published since then.
This is a philosophical work that develops a general theory of ontological objects and object-relations. It does this by examining concepts as acquired dispositions, and then focuses on perhaps the most important of these: the concept of learning. This concept is important because everything that we know and do in the world is predicated on a prior act of learning. A concept can have many meanings and can be used in a number of different ways, and this creates difficulty when considering the nature of objects and the relationships between them. To enable this, David Scott answers a series of questions about concepts in general and the concept of learning in particular. Some of these question...
"First published 2011 by Australian Scholarly Publishing Pty Ltd"--Title page verso.
A collection of writings by Dr David Scott which build on his work teaching criminology for over 20 years. Against Imprisonment includes topics such as ‘The Changing Face of the Prison’, justifications of punishment, prison violence and the shortcomings of prisons and mega-prisons. Very much against the current political obsession with increasing incarceration this book is a wake-up call for all those who feel the use of imprisonment is failing to achieve a reduction in crime. Provides a compelling analysis of the failings of imprisonment. Sheds new light on this pressing topic. Explains why prisons do not work for most offenders. From the Foreword ‘Scott systematically dismantles wide...
'David Scott belongs firmly to the long tradition of parson-poets that goes back at least as far as George Herbert... For all their reticence, there is a compassion in these poems and a sense of propriety' - Norman Nicholson.Springing from ordinary events, or a picture, or an aspect of the priestly life, David Scott's beautifully restrained poems work up the detail into a moment of significance. They are rooted in an English culture which is found not only in locality, but also in understatement, and the sideways look. But his poetry has wider reverberations, exploring spirituality and ways of praying as well as momentary glimpses of meaning caught in everyday life.David Scott won the National Poetry Competition in 1978, and he was awarded the Geoffrey Faber Memorial Prize for his first book A Quiet Gathering. Playing for England is illustrated by Graham Arnold of the Brotherhood of Ruralists and was a Poetry Book Society Recommendation.
At this stalled and disillusioned juncture in postcolonial history—when many anticolonial utopias have withered into a morass of exhaustion, corruption, and authoritarianism—David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance—as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future d...
Stuart Hall’s Voice explores the ethos of style that characterized Stuart Hall’s intellectual vocation. David Scott frames the book—which he wrote as a series of letters to Hall in the wake of his death—as an evocation of friendship understood as the moral and intellectual medium in which his dialogical hermeneutic relationship with Hall’s work unfolded. In this respect, the book asks: what do we owe intellectually to the work of those whom we know well, admire, and honor? Reflecting one of the lessons of Hall’s style, the book responds: what we owe should be conceived less in terms of criticism than in terms of listening. Hall’s intellectual life was animated by voice in liter...
Scott analyses how the internet has revolutionised communications and promotions. Told with many compelling case studies and real-world examples, this is a practical guide to the new reality of PR and marketing.