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The Cambridge Companion to British Black and Asian Literature (1945–2010)
"Post-World War II mass migration to Great Britain altered its demographic composition more markedly than in any other period in its history, resulting in a modern multicultural nation state shaped by the ethnic diversity of its citizenry. Populations from African, Caribbean, and South Asian locations arriving in Britain post-war brought diasporic sensibilities and literary heritages that have profoundly transformed British national culture, leading to a more complex and inclusive sense of its past. The Companion to British Black and Asian Literature (1945-2010) examines the creative impact of this rich infusion upon English literature against the backdrop of the seismic social and economic changes triggered by colonialism and migration, multiculturalism, and contemporary globalization"--
This is the Canon
'A vital and timely introduction to some of the best books I've ever read. Perfectly curated and filled with brilliant literature' Nikesh Shukla 'The ultimate introduction to post-colonial literature for those who want to understand the classics and the pioneers in this exciting area of books' Symeon Brown These are the books you should read. This is the canon. Joan Anim-Addo, Deirdre Osborne and Kadija Sesay have curated a decolonized reading list that celebrates the wide and diverse experiences of people from around the world, of all backgrounds and all races. It disrupts the all-too-often white-dominated 'required reading' collections that have become the accepted norm and highlights powe...
Alternatives Within the Mainstream
Alternatives Within the Mainstream: British Black and Asian Theatres is the first comprehensive collection of critical essays on the subject. Edited by Dimple Godiwala, the anthology is in six parts: A lengthy Introduction is followed by Part II (Histories and Trajectories) which contains chapters which survey the work of the Black Theatre Forum and the histories of Black and Asian theatres in Britain. Part III (Histories of Theatre Companies and Arts Venues) charts brief histories of the major theatre companies, Talawa, Tara and Tamasha and contains a survey of Birmingham’s changing arts venues. Part IV called simply Controversies is a document of the Sikh diaspora’s uproar over Behzti ...
Black British Drama
Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
English Theatre and Social Abjection
Focusing on contemporary English theatre, this book asks a series of questions: How has theatre contributed to understandings of the North-South divide? What have theatrical treatments of riots offered to wider debates about their causes and consequences? Has theatre been able to intervene in the social unease around Gypsy and Traveller communities? How has theatre challenged white privilege and the persistent denigration of black citizens? In approaching these questions, this book argues that the nation is blighted by a number of internal rifts that pit people against each other in ways that cast particular groups as threats to the nation, as unruly or demeaned citizens – as ‘social abjects’. It interrogates how those divisions are generated and circulated in public discourse and how theatre offers up counter-hegemonic and resistant practices that question and challenge negative stigmatization, but also how theatre can contribute to the recirculation of problematic cultural imaginaries.
Staging Muslims in Britain
This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances. The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. Önder Çakırtaş critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds. This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.
The Story of 'M'
The Story of M is a solo performance that integrates visual projections and poetic language to portray autobiographical stories of racism, poverty and sacrifice. While sitting in a white screened hospital ward and as slides of family photographs flash all around her, SuAndi travels from the multi-racial Liverpool of the 1920s to life in Britain in the mid-nineties. Commissioned by the Institute for Contemporary Arts in 1995, The Story of M has received great critical acclaim in both the United States and Great Britain. The Story of M is SuAndi's moving tribute to the life and death of her mother who raised her children in the face of frequent racism 1960s but never let them forget they were of African descent and to be proud of their heritages. The Story of 'M' is on the new A-levels English Literature syllabus - with a Black British list – offered by EdExcel Examination Board (2017).
The Cambridge Companion to Narrative Theory
Narrative theory is essential to everything from history to lyric poetry, from novels to the latest Hollywood blockbuster. Narrative theory explores how stories work and how we make them work. This Companion is both an introduction and a contribution to the field. It presents narrative theory as an approach to understanding all kinds of cultural production: from literary texts to historiography, from film and videogames to philosophical discourse. It takes the long historical view, outlines essential concepts, and reflects on the way narrative forms connect with and rework social forms. The volume analyzes central premises, identifies narrative theory's feminist foundations, and elaborates its significance to queer theory and issues of race. The specially commissioned essays are exciting to read, uniting accessibility and rigor, traditional concerns with a renovated sense of the field as a whole, and analytical clarity with stylistic dash. Topical and substantial, The Cambridge Companion to Narrative Theory is an engaging resource on a key contemporary concept.
Hybrid Cultures – Nervous States
Preliminary Material -- Encounters Over the Border: The Shaping of Colonial Identities in Neighbouring British and German Colonies in Southern Africa /Ulrike Lindner -- The Colonial Order Upside Down?: British and Germans in East African Prisoner-of-War Camps During World War I /Michael Pesek -- Jack, Peter, and the Beast: Postcolonial Perspectives on Sexual Murder and the Construction of White Masculinity in Britain and Germany at the Turn of the Twentieth Century /Eva Bischoff -- Decolonization of the Public Space?: (Post)Colonial Culture of Remembrance in Germany /Joachim Zeller -- “Setting the Record Straight”?: Imperial History in Postcolonial British Public Culture /Elizabeth Buett...
