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Drama. African Studies. Women's Studies. Opera. This libretto is a rewrite of Aphra Behn's 17th century text Oroonoko, or the Royal Slave. At its center is Imoinda, the hitherto silenced black woman slave in Behn's novel. The child she bears comes to represent the triumphant survival of African-heritage people forcibly transplanted into the diaspora. This opera has been performed in both London and New York and is taught at universities in the United Kingdom, United States, and Italy.
Poetry. Afro-Caribbean Studies. Inventive in its deployment of language, form and vision, JANIE CRICKETING LADY traces the journey of an anomalous sportswoman and accompanies her migration from the Caribbean to Britain and her return to her island home, Grenada. The poems explore questions of womanhood in spatial, temporal and sporting contexts. In a powerful tribute to a small island feminist, the poems sing of struggles within and against her assigned role. Anim-Addo's poetry inscribes an all-too-needed herstory. In the process, a fresh and challenging icon is presented, that of the Caribbean woman cricketer: "And how she lashed that red leather, / punching the ball off the offside, / gravitating to her knees to make a sweep / and place the ball sweet between fielders." Joan Anim-Addo was born in Grenada. She is currently Head of the Caribbean Centre and lecturers within the English Department, Goldsmiths, University of London and Chair of the Caribbean Women Writers Alliance (CWWA) and founder-editor of Mango Season, the journal on Caribbean Women's writing.
"Longest Journey is essentially a local history, the story of three continents and the journeys which brought them together. The pirates and adventurers, who crossed the oceans in search of gold and slaves, returned to build the manor houses of Kentish London. Surviving the horrors of the 'Middle Passage' were characters like Cornelius the Blackamore, buried at Lee, the activist Equiano who forgot he was a slave until he was resold at Deptford and young Sancho who learned his letters in a duke's library on Blackheath. In the post-war years a new generation of African-Carribbeans made the crossing, coming in hope, facing a new challenge and putting down the roots of a local black community."--Back cover of book
'A vital and timely introduction to some of the best books I've ever read. Perfectly curated and filled with brilliant literature' Nikesh Shukla 'The ultimate introduction to post-colonial literature for those who want to understand the classics and the pioneers in this exciting area of books' Symeon Brown These are the books you should read. This is the canon. Joan Anim-Addo, Deirdre Osborne and Kadija Sesay have curated a decolonized reading list that celebrates the wide and diverse experiences of people from around the world, of all backgrounds and all races. It disrupts the all-too-often white-dominated 'required reading' collections that have become the accepted norm and highlights powe...
These poems from a Grenadian poet reconstruct, comment upon, and interpret history that is at times personal, regional, universal, and haunting. This is an engrossing exploration of large and crucial themes today and ever-present history as it shapes and remakes individuals. English as well as Creole are different points of the language continuum employed in the collection.
Drawing on first-hand interviews with those involved in the campaign, including its most senior figures, Nunns traces the origins of Jeremy Corbyn’s remarkable ascent in British politics.
Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them--as worke...
For more than a century and a half the real story of Scotlands connections to transatlantic slavery has been lost to history and shrouded in myth. There was even denial that the Scots unlike the English had any significant involvement in slavery .Scotland saw itself as a pioneering abolitionist nation untainted by a slavery past.This book is the first detailed attempt to challenge these beliefs.Written by the foremost scholars in the field , with findings based on sustained archival research, the volume systematically peels away the mythology and radically revises the traditional picture.In doing so the contributors come to a number of surprising conclusions. Topics covered include national ...
"This collection of essays casts new light at Aphra Behn's poetry, drama, prose and literary criticism. The contributors analyse her creative response to the literary theories, genres and motifs of her age and point out remarkable analogies to the writings of her female successors, some of whom have not hitherto been viewed in relation to this Restoration pioneer of female authorship. Her influence on modern writers can still be felt in texts as diverse as Virginia Woolf's Orlando, Molly Brown's historical thriller set in Restoration England, and Joan Anim-Addo's adaptation of Oroonoko."--Publisher's description.
First published in 2004, Frampton's fascinating childhood memoir was described as "a turning point in the emergence of Black British writing, comparable with James Baldwin's Going to Meet the Man. Born in the seaside village of St Agnes, Cornwall in 1953, Phil Frampton wanted to discover the reasons behind his abandonment as a child. For several decades he was unable to unravel the mysteries. Almost half a century on, Phil was finally allowed access to official records kept on him as a child. The book helped Phil unearth more information, adding dramatic twists, as revealed in this edition. "... a gripping and very moving story, told with a wonderful skill... with a vivid memory for every incident and character, with all the dialogue and poignant detail...I eagerly await more volumes from the Frampton pen." Michael Crick, Author and Broadcaster "...heart-rending moments... a dispassionately told but piercingly emotional story." Times Educational Supplement