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This text is presented in English and German. This book contains 19 articles dealing with various aspects of the Greek goddess Artemis and the Roman goddess Diana. The themes presented in the volume deal with the Near Eastern equivalents of Artemis, the Bronze Age Linear B testimonies, and Artemis in Homer and in the Greek tragedies. Sanctuaries and cult, and regional aspects are also dealt with - encompassing Cyprus, the Black Sea region, Greece and Italy. Pedimental sculpture, mosaics and sculpture form the basis of investigations of the iconography of the Roman Diana; the role of the cult of Diana in a dynastic setting is also examined. There is a single section that deals with the reception of the iconography of the Ephesian Artemis during the Renaissance and later periods.
Company to Company is for anyone studying or working in business, commerce or administration who needs to correspond in English. It is particularly suitable for learners at the lower-intermediate and intermediate levels, but more advanced learners who are unfamiliar with business correspondence will also find it invaluable. The fourth edition of this highly successful course contains thoroughly updated content and includes extensive work on email correspondence. It follows the successful interactive task and feedback approach of the previous editions.
In 1952, a small group gathered at the home of Dorothy Peetz in Lake Oswego, Oregon, and thought it would be fun for the community to have a little theater. They began to organize what was then known as the Oswego Players. What started as a little theater that traveled from pillar to post with costumes, props, and flats became the Lakewood Theatre Company at Lakewood Center for the Arts. The nonprofit theater attracts 40,000 patrons annually. Lakewood Center for the Arts, home of the city's annual Festival of the Arts, coordinates a large multi-exhibit arts education event to inspire and awe 25,000 visitors every year. Generations of people have made the Lakewood Center for the Arts a part of their daily lives through volunteerism or by attending classes, everything from ancestry to Zumba. Young actors that performed on Lakewood Theatre Company's stage later returned to direct their own productions.
The third book of the Aeneid translated into alliterative verse.
The Roman world was fundamentally a face-to-face culture, where it was expected that communication and negotiations would be done in person. This can be seen in Romea (TM)s contacts with other cities, states, and kingdoms a " whether dependent, independent, friendly or hostile a " and in the development of a diplomatic habit with its own rhythms and protocols that coalesced into a self-sustaining system of communication. This volume of papers offers ten perspectives on the way in which ambassadors, embassies, and the institutional apparatuses supporting them contributed to Roman rule. Understanding Roman diplomatic practices illuminates not only questions about Romea (TM)s evolution as a Mediterranean power, but can also shed light on a wide variety of historical and cultural trends. Contributors are: Sheila L. Ager, Alexander Yakobson, Filippo Battistoni, James B. Rives, Jean-Louis Ferrary, Martin Jehne, T. Corey Brennan, Werner Eck, and Rudolf Haensch.
This collection of essays, in honour of Professor B.B. Shefton, provides an innovative exploration of the culture of the Greek colonies of the Western Mediterranean, their relations with their non-Greek neigbours, and the evolution of distinctive regional identities.
A reappraisal of current ideas about Greek identity under the Roman empire, first published in 2010.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Reinforced cloth library binding, no dust jacket, individual shrinkwrap