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This interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through “negotiation”—a concept that accounts for artistic practices outside the duality of resistance/accommodation—and “self-fashioning,” Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring debates about race, gender, and immigration affecting Mexicanas and Chicanas from the early twentieth century to today. Domestic Negotiations covers a range of archival sources and cultural productions, including the self-fashioning of the ...
An engrossing autobiographical exploration of black masculinity as a mode of racial and verbal performance. In Your Average Nigga, Vershawn Ashanti Young disputes the belief that speaking Standard English and giving up Black English Vernacular helps black students succeed academically. Young argues that this assumption not only exaggerates the differences between two compatible varieties of English but forces black males to choose between an education and their masculinity, by choosing to act either white or black. As one would expect from a scholar who is subject to the very circumstances he studies, Young shares his own experiences as he exposes the factors that make black racial identity ...
This comprehensive account of bilingualism examines the importance of using students' native languages as a tool for supporting higher levels of learning. The authors highlight the social, linguistic, neuro-cognitive, and academic advantages of bilingualism, as well as the challenges faced by English language learners and their teachers in schools across the United States. They describe effective strategies for using native languages, even when the teacher lacks proficiency in that language. This resource addresses both the latest research and theory on native language instruction, along with its practical application (the what, the why, and how) in K-8 classrooms.
Chicana Leadership: The "Frontiers" Reader breaks the stereotypes of Mexican American women and shows how these women shape their lives and communities. This collection looks beyond the frequently held perception of Chicanas as passive and submissive and instead examines their roles as dynamic community leaders, activists, and scholars. Chicana Leadership features fifteen essays from the notable women's journal Frontiers: A Journal of Women Studies that demonstrate the strength and diversity of Chicanas as well as their continuing struggle to have their voices heard. Noted scholars discuss issues ranging from the feminist prototype La Malinche to Chicana writers and national ideology, from gender and identity to ideas of culture and romance, andøfrom tokenism to the diversity within the Chicana community. The essays provide an introduction to an evolving understanding of this diverse community of women and how they interact among themselves, with their community, and with the world around them.
Nelson Riverdale, author of Across the Sands of Time, is back with his second book, Poems from a Broken Heart, a true story of his wife, Merlene Ann Martin, and his 30-year marriage to her. Nelson and Merlene knew of each other from Love Gospel Assembly, the Bronx church in NY they attended, but in a congregation of well over 350 people, the two never connected. It wasn't until he unexpectedly saw her at a Christian singles party that their relationship blossomed, and three years later, they were married. In his book, Poems of a Broken Heart, Nelson Riverdale recounts his life with Merlene, her many health issues, and her ultimate passing. In this intimately written story, the author shares ...
God has given us all a story that is woven around our purpose, whether we choose to live a life that fulfills it or not. Our true purpose is to love, even though we donaEUR(tm)t know how much time we have. Life is filled with many options and so many people that it is sometimes hard to know which to choose and who to actually listen to. IaEUR(tm)m grateful to God for placing some recognizably wise people in my life who are there to encourage me in making good choices.The aftermath and far reach for the spiritual resolve of a seemingly unfulfilled existence can cause prolonged and inexplicable grief. It is in the complete acceptance of humanityaEUR(tm)s biggest certainty, death, that one will...
Surveying the Latina theatre movement in the United States since the 1980s, La Voz Latina brings together contemporary plays and performance pieces by innovative Latina playwrights. This rich collection of varying styles, forms, themes, and genres includes work by Yareli Arizmendi, Josefina B ez, The Colorado Sisters, Migdalia Cruz, Evelina Fern ndez, Cherr e Moraga, Carmen Pelaez, Carmen Rivera, Celia H. Rodr guez, Diane Rodriguez, and Milcha Sanchez-Scott, as well as commentary by Kathy Perkins and Caridad Svich on the present state of Latinas in theatre roles. La Voz Latina expands the field of Latina theatre while situating it in the larger spectrum of American stage and performance studies. In highlighting the ethnic and cultural roots of the performance artists, Elizabeth C. Ram rez and Catherine Casiano provide historical context as well as a short biography, production history, and artistic statement from each playwright.
Nothing is sacred in the satire of Latins Anonymous. The hilarious Latino comedy theater company has toured the United States poking fun at all, from political figures to Latino entertainment personalities. Formed in 1988 and performing at such mainstream venues as the Los Angeles Theater Center as well as alternative space sin barrios across the Southwest, Latins Anonymous has developed its own distinctive, post-modern and very irreverent style of commenting on life and culture in the U.S. Included in this first published collection are the troupeÕs signature play, Latins Anonymous, which satirizes the rejection of oneÕs cultural heritage and The La La Awards, in which the media are lampooned through outlandish impersonations of favorite Latino stars.
The modern American university has, for more than a century, been the frontier where those who aspired to social and economic advancement ventured. Initially, the guides for the aspirants were the professors, who having earned the trust of both the general public and practitioners, provided the necessary foundation for entry into the profession. It was understood that what took place in the academy was an introductory experience as all professions require some form of supervised practical experience prior to being admitted into the profession. Research done by members of the academy served as the primary source of knowledge advancing the professions. Finally, those who were engaged in these ...
Latinx Actor Training presents essays and pioneering research from leading Latinx practitioners and scholars in the United States to examine the history and future of Latino/a/x/e actor training practices and approaches. Born out of the urgent need to address the inequities in academia and the industry as Latinx representation on stage and screen remains disproportionately low despite population growth; this book seeks to reimagine and restructure the practice of actor training by inviting deep investigation into heritage and identity practices. Latinx Actor Training features contributions covering current and historical acting methodologies, principles, and training, explorations of linguis...