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Le dictionnaire de ma vie - Dominique Besnehard
A N G O U L Ê M E B R I A L Y C R I T I Q U E S D E W A E R E É V O L U T I O N F A I T S G E N R E H O U L G A T E I N C L I N A T I O N J E A N N E K A R I N A L I S T E M A R L E N E N O T R E P E T I T M O N D E T E L Q U ’ I L V A O R T F P R É S I D E N T S Q U E S T I O N N A I R E D E P R O U S T R W A N D A S O M M E I L T O U R M E N T S U N E N O S T A L G I E V I S U E L L E W I K I P É D I A F A C T E U R S X Y I N E T Y A N G Z O Z O T E R Dominique Besnehard, d’abord directeur de casting, a été l’agent artistique de nombreuses vedettes avec qui il s’est lié d’amitié, avant de se tourner vers la production. La série Dix pour cent, au succès mondial, s’inspire de son parcours. Dans ce dictionnaire, il revient sans langue de bois et avec humour sur sa carrière, ses secrets de tournage, ses passions et ses coups de gueule, ses amitiés comme ses inimitiés. Il brosse les portraits tout à la fois tendres, drôles et féroces des stars qu’il a accompagnées au cours de sa carrière, comme Jeanne Moreau, Marlene Dietrich, Jean-Claude Brialy, Nathalie Baye ou Béatrice Dalle...
Casino d'hiver
Dominique Besnehard fêtera ses 60 ans début février 2014. A cette occasion, il nous livre l'histoire d'amour qu'il vit depuis toujours avec ces êtres étranges et fascinants du monde du spectacle. Entre confidences et anecdotes, ombres et lumières. C'est au casino d'Houlgate, en Normandie, dans les années 60, que tout a commencé. C'est là que Dominique Besnehard a découvert le cinéma et les actrices. C'est là qu'il est tombé fou d'amour, et pour toujours, pour Sylvie Vartan dont il est devenu plus tard l'ami et l'agent. C'est lui qui a découvert quelques belles inconnues nommées Juliette Binoche ou Béatrice Dalle, et défendu les intérêts de nombreuses stars : Jeanne Moreau,...
Maurice Pialat
One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations.
French cinema in the 1970s
A new look at the debates which shook the world of French cinema in the aftermath of May 1968, and throughout the 1970s
Is It French? Popular Postnational Screen Fiction from France
Zusammenfassung: This book investigates the recently accelerated phenomenon of mainstream French film and serial television's remarkable popularity not only within but - more novelly for European audiovisual narratives - outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole
Roger Ebert's Movie Yearbook 2013
Roger Ebert’s “criticism shows a nearly unequaled grasp of film history and technique, and formidable intellectual range. . . .” —New York Times Pulitzer Prize–winning film critic Roger Ebert presents more than 600 full-length critical movie reviews, along with interviews, tributes, and journal entries inside Roger Ebert’s Movie Yearbook 2013. It includes every movie review Ebert has written from January 2010 to July 2012. Also included in the Yearbook: In-depth interviews with newsmakers and celebrities Tributes to those in the film industry who have passed away recently Essays on the Oscars, reports from the Toronto Film Festival, and entries into Ebert's Little Movie Glossary
Wine Management and Marketing Opportunities for Companies and Challenges for the Industry
This work highlights the new challenges facing the French wine industry and the issues that arise from it. Written on the basis of academic work and field studies, conducted by a group of Montpellier academics in Economics and Management Sciences (Groupe Montpellier Vin), this book presents recent and original research results and raises the key issues related to finance, strategy, international management and marketing. Professionals in the sector, academics, students and wine enthusiasts will find up-to-date information, in-depth analyses and above all, an invitation to a stimulating debate on the prospects of this traditional, yet innovative sector.
An Anthology of French and Francophone Singers from A to Z
Every musical form has had an impact on the linguistic practices of our society. French song is a vector of cultural, social, and stylistic values. Throughout the world, songs in the French language are used in the teaching of French: professors incorporate songs into the curriculum in order to illustrate differences of register and linguistic variation, as well as to raise lexical or grammatical questions. As a form of popular expression, song is a genre that has, in recent years, become the focus of serious academic scholarship and criticism. However, few linguists have paid attention to French song and its linguistic uses. This richly illustrated mini-dictionary about French singers fills...
Patois and Linguistic Pastiche in Modern Literature
In an era of globalization and European standardization, dialect, patois, and linguistic pastiche are marks of identity, of individual and regional nature. Paraphrasing the words of Luigi Pirandello, one tends to use the standard national language to express the concept, while one opts to use one’s regional dialect to express the feeling. The literary tradition has always accepted language mixing. Linguists and literary critics have studied this phenomenon from different perspectives. No in-depth treatment, however, has been offered so far as to the causes, conditions, consequences, and limits of language mixing from both the linguistic and literary points of view. The aim of this book is ...
