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Aby Warburg's research and writings centred on images, their origins and metamorphoses, and their explanations and interpretations.
The second edition of this highly popular introduction includes a new preface and each chapter has been revised to keep it as up-to-date as possible. 'Introducing Feminist Theology remains a lively and stimulating 'first read' for anyone embarking on feminist theology, as well as a first rate resource for those wishing to refresh their acquiantaince with it. Despite claims in some quarters that 'feminism' has been surpassed by 'gender' this book explains how vital a feminist agenda remains, and how much is still to be done, both at the theological and the practical level, to transform Christianity from two centuries of male-gendered discourse and ecclesiastical structure into a religion that adequately reflects the life of modern women.
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
The painted church in Darasge Maryam, in the Semen Mountain in northern Ethiopia, is witness to a remarkable event in Ethiopian history. Built by Daggazmac Webe in the 1850s for his coronation, it was not the venue for Webe's coronation, but for the coronation of Tewodros II, who had snatched victory from Webe. However, the art, paintings, liturgical objects and a very precious illuminated manuscript book of Revelation, the commissions and gifts by Webe, can still be seen there today. Dorothea McEwan, Hon. Fellow, has been the Archivist of The Warburg Institute, University of London.
An intimate biography of an eminent historian of art and culture, exploring his life both within and away from the academy. Tangled Paths tells the life story of Aby Warburg (1866–1929), one of the most influential historians of art and culture of the twentieth century. It also tells the story of a man who, throughout his life, struggled to assert his place in the world. Charting Warburg’s many projects and identities—groundbreaking historian, public intellectual, ethnographer, shrewd academic administrator, and founder of a library—the book explores not only the vagaries of an academic career but also the personal demons of a man who relentlessly sought to live up to his own expectations. In this biography—the first in English in over fifty years—Hans C. Hönes presents an evocative and richly detailed portrait of Warburg’s personality and career, and of his attempts to make sense of the tangled paths of his life.
This volume focuses on the contribution of refugees from Nazism to the Arts in Britain. The essays examine the much neglected theme of art in internment and address the spheres of photography, political satire, sculpture, architecture, artists’ organisations, institutional models, dealership and conservation. These are considered under the broad headings ‘Art as Politics’, ‘Between the Public and the Domestic’ and ‘Creating Frameworks’. Such categories assist in posing questions regarding the politics of identity and gender, as well as providing an opportunity to explore the complex issues of cultural formation. The volume will be of interest to scholars and students of twentieth-century art history, museum and conservation studies, politics and cultural studies, in addition to those involved in German Studies and in German and Austrian Exile Studies.
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The early Salvation Army professed its commitment to sexual equality in ministry and leadership. In fact, its founding constitution proclaimed women had the right to preach and hold any office in the organization. But did they? Women in God’s Army is the first study of its kind devoted to the critical analysis of this central claim. It traces the extent to which this egalitarian ideal was realized in the private and public lives of first- and second-generation female Salvationists in Britain and argues that the Salvation Army was found wanting in its overall commitment to women’s equality with men. Bold pronouncements were not matched by actual practice in the home or in public ministry....
First Published in 1993. This is a wide-ranging collection of essays bringing together contributions which address key issues and debates in contemporary women's studies and feminism. The variety of feminist identities and perspectives which emerge from these pages reveals the extent to which the diversities of women's experiences continue to reshape feminist knowledge and politics. A recurrent theme is how to work with our diversities, and to make connections which do not recreate hierarchies or oppressive practices privileging the experiences and aims of some women over those of others. Making Connections is an important contribution to ongoing feminist debates.