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Oír ese río: Antología poética de los cinco continentes es un homenaje que 126 poetas contemporáneos rinden al fenómeno del fluir del agua, que sin expectativas ni orgullos, traza rutas conectando regiones, vivencias, aventuras y sentimientos, desdibujando bordes y hermanando pueblos en su recorrido. Es un libro que reúne la obra poética de autores de los cinco continentes sobre la historia, la mitología, el recuerdo y el poderoso simbolismo que se concentra en los ríos del mundo. Esta tercera edición (primera en formato digital) cuenta con el apoyo de la fundación PIBES de Argentina y Alpina Industrias Alimenticias de Colombia, como muestra de su iniciativa por encontrar una manera más digna y sostenible de habitar nuestro planeta. Se suman así, al Colegio José Max León, a los traductores y a los autores y a todos los que en estas páginas resignifican los ríos como fuente de vida, inspiración y sustento de nuevas posibilidades para nuestra especie.
In the first biography in English of the great Argentinian tango singer Carlos Gardel (1890-1935), Collier traces his rise from very modest beginnings to become the first genuine "superstar" of twentieth-century Latin America. In his late teens, Gardel won local fame in the barrios of Buenos Aires singing in cafes and political clubs. By the 1920s, after he switched to tango singing, the songs he wrote and sang enjoyed instant popularity and have become classics of the genre. He began making movies in the 1930s, quickly establishing himself as the most popular star of the Spanish-language cinema, and at the time of his death Paramount was planning to launch his Hollywood career.Collier's biography focuses on Gardel's artistic career and achievements but also sets his life story within the context of the tango tradition, of early twentieth-century Argentina, and of the history of popular entertainment.
The American debut of one of Granta’s Best Young Spanish-Language Novelists, My Fathers’ Ghost Is Climbing in the Rain is a daring and deeply affecting story of one Argentine family’s buried secrets. When a young writer returns home to visit his dying father, he finds himself drawn into an obsessive search for a local man gone missing. As the truth—not only about his father but an entire generation—comes to light, the narrator is forced to confront the ghosts of Argentina’s dark political past, as well as long-hidden memories about his own family’s history. Powerful and audacious, this semi-autobiographical novel is a thoroughly original story of corruption and responsibility, of history and remembrance, from one of South America’s most important new writers.
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Few sociologists of the first rank have scandalised the academic world to the extent that Elias did. Developed out of the German sociology of knowledge in the 1920s, Elias’s sociology contains a sweeping radicalism which declares an academic ‘war on all your houses’. His sociology of the ‘human condition’ sweeps aside the contemporary focus on ‘modernity’ and rejects most of the paradigms of sociology as one-sided, economistic, teleological, individualistic and/or rationalistic. As sociologists, Elias also asks us to distance ourselves from mainstream psychology, history and above all, philosophy, which is summarily abandoned, although carried forward on a higher level. This enlightening book written by a close friend and pupil of Elias, is the first book to explain the refractory, uncomfortable, side of Elias’s sociological radicalism and to brace us for its implications. It is also the first in-depth analysis of Elias’s last work The Symbol Theory in the light of selected contemporary developments in archaeology, anthropology and evolutionary theory.
This book uses the stories of early modern women in the Mediterranean who left their birthplaces, families, and religions to reveal the complex space women of the period occupied socially and politically. In the narrow sense, the word “renegade” as used in the early modern Mediterranean referred to a Christian who had abandoned his or her religion to become a Muslim. With Renegade Women, Eric R Dursteler deftly redefines and broadens the term to include anyone who crossed the era’s and region’s religious, political, social, and gender boundaries. Drawing on archival research, he relates three tales of women whose lives afford great insight into both the specific experiences and condi...
Asia has long fascinated European artists. The gradual arrival of art objects and textiles from the Orient were inexhaustible sources of inspiration for painters, sculptors and of course couturiers. Yves Saint Laurent was no exception. He proposed both a literal and imaginary vision of Asia, based on a solid knowledge of its history, culture and arts, as evidenced by his personal library and the collection of works of art that he brought together with Pierre Bergé. Yves Saint Laurent's exhibition Dreams of the Orient brings together some fifty models, accompanied by original drawings, jewelry and Asian objects that will demonstrate the process of creating clothes while establishing a visual link with their sources of inspiration. Objects from the Musée Guimet in Paris (Asian Arts Museum) and the Samuel Myers collection will be on display alongside the designer's creations
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Stephen Mennell provides an intellectual portrait of the sociologist Norbert Elias, whose work is of increasingly wide interest to student of the humanities and social sciences.