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Efrat Gal-Ed
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A Question of Tradition
In A Question of Tradition, Kathryn Hellerstein explores the roles that women poets played in forming a modern Yiddish literary tradition. Women who wrote in Yiddish go largely unrecognized outside a rapidly diminishing Yiddish readership. Even in the heyday of Yiddish literature, they were regarded as marginal. But for over four centuries, women wrote and published Yiddish poems that addressed the crises of Jewish history—from the plague to the Holocaust—as well as the challenges and pleasures of daily life: prayer, art, friendship, nature, family, and love. Through close readings and translations of poems of eighteen writers, Hellerstein argues for a new perspective on a tradition of w...
The Trilingual Literature of Polish Jews from Different Perspectives
Are the literary works of Polish Jews one unified literature in three languages: Yiddish, Hebrew and Polish, or is the literal corpus of each of these languages a separated literary and cultural phenomenon? Twenty-seven scholars from Europe, the United States, and Israel explore different aspects of the multilingual literature of Eastern European Jews, with a particular focus on the trilingual literature of Polish Jews until World War II. The work of the great Yiddish and Hebrew writer Isaac Leib Peretz (1852–1915) represents the center of the book, though it does not concentrate solely on Peretz’s work, but, rather, discusses the oeuvre of other unique authors in the cultural space of Jews in Central and Eastern Europe generally, and in Poland particularly. The book looks at this issue from three aspects, namely the literal, cultural, and historical, and also examines the dialogue of Polish Jewish literature with other languages and cultures.
Bruno Schulz and Galician Jewish Modernity
In the 1930s, through the prose of Bruno Schulz (1892–1942), the Polish language became the linguistic raw material for a profound exploration of the modern Jewish experience. Rather than turning away from the language like many of his Galician Jewish colleagues who would choose to write in Yiddish, Schulz used the Polish language to explore his own and his generation's relationship to East European Jewish exegetical tradition, and to deepen his reflection on golus or exile as a condition not only of the individual and of the Jewish community, but of language itself, and of matter. Drawing on new archival discoveries, this study explores Schulz's diasporic Jewish modernism as an example of the creative and also transient poetic forms that emerged on formerly Habsburg territory, at the historical juncture between empire and nation-state.
Joshua and Judges in Yiddish Verse
This book offers annotated editions of four distinct sixteenth-century Yiddish epic poems, all preserved in single copies. Two of them retell the narrative found in the book of Joshua, and two relate the events described in the book of Judges. As typical specimens of the once popular literary genre, the Old Yiddish biblical epic, the content of the works is based on Jewish sources, while their style and form were influenced by German epic and chivalric literature. The epics often elaborate on the biblical narrative, with rich passages that echo the cultural setting in which they were composed, presumably German and Italian lands. The four epics are presented here for the first time in modern...
As the Dust of the Earth
An estimated forty thousand Jews were murdered during the Russian Civil War between 1918 and 1922. As the Dust of the Earth examines the Yiddish and Russian literary response to the violence (pogroms) and the relief effort, exploring both the poetry of catastrophe and the documentation of catastrophe and care. Brilliantly weaving together narrative fiction, poetry, memoirs, newspaper articles, and documentary, Harriet Murav argues that poets and pogrom investigators were doing more than recording the facts of violence and expressing emotions in response to it. They were interrogating what was taking place through a central concept familiar from their everyday lifeworld—hefker, or abandonme...
A Club of Their Own
Volume XXIX of Studies in Contemporary Jewry provides a nuanced account of the history and development of Jewish humor, while also making a case for the importance of humor in studying any culture.
Yiddish as a Mixed Language
Yiddish, the language of Eastern-European Jews, has so far been mostly described as Germanic within the framework of the traditional, divergence-based Language Tree Model. Meanwhile, advances in contact linguistics allow for a new approach, placing the idiom within the mixed language spectrum, with the Slavic component playing a significant role. So far, the Slavic elements were studied as isolated, adstratal borrowings. This book argues that they represent a coherent system within the grammar. This suggests that the Slavic languages had at least as much of a constitutive role in the inception and development of Yiddish as German and Hebrew. The volume is copiously illustrated with examples from the vernacular language. With a contribution of Anna Pilarski, University of Szczecin.
An Unchosen People
A revisionist account of interwar EuropeÕs largest Jewish community that upends histories of Jewish agency to rediscover reckonings with nationalismÕs pathologies, diasporaÕs fragility, ZionismÕs promises, and the necessity of choice. What did the future hold for interwar EuropeÕs largest Jewish community, the font of global Jewish hopes? When intrepid analysts asked these questions on the cusp of the 1930s, they discovered a Polish Jewry reckoning with Òno tomorrow.Ó Assailed by antisemitism and witnessing liberalismÕs collapse, some Polish Jews looked past progressive hopes or religious certainties to investigate what the nation-state was becoming, what powers minority communities ...
Fables in Jewish Culture
Fables in Jewish Culture catalogues almost 400 Jewish scrolls and books from the collection of Jon A. Lindseth that contain animal stories with moral connections. Spanning six centuries, the books are in several languages, including Hebrew, Yiddish, Aramaic, Ladino (Judeo-Spanish) and Judeo-Persian. They were printed all over the world and include animal stories from the Hebrew Bible and other religious texts as well as translations of secular stories, such as Aesop's fables in Hebrew. The catalogue is divided into four sections—Biblical works, rabbinic works, medieval works, and postmedieval works—and each entry is illustrated with a page or more from the work, a detailed description of...
