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Planet City is a speculation of what might happen if the world collapsed into a new home for 10 billion people, allowing the rest of the world to return to a global wilderness. It is both an extraordinary image of tomorrow and an urgent examination of the environmental questions that face us today.
The most significant architectural spaces in the world are now entirely empty of people. The data centres, telecommunications networks, distribution warehouses, unmanned ports and industrialised agriculture that define the very nature of who we are today are at the same time places we can never visit. Instead they are occupied by server stacks and hard drives, logistics bots and mobile shelving units, autonomous cranes and container ships, robot vacuum cleaners and internet-connected toasters, driverless tractors and taxis. This issue is an atlas of sites, architectures and infrastructures that are not built for us, but whose form, materiality and purpose is configured to anticipate the patt...
A major common misconception in scholarship on Kurdish journalistic discourses is that Kurdish intellectuals of the late Ottoman period cannot be portrayed as Kurdish nationalists. This theory prevails because of the belief that they not only endorsed and promoted Pan-Islamism and Ottoman nationalism instead of Kurdish ethnic nationalism, but also because they allegedly eschewed political demands and instead concerned themselves with ethno-cultural issues to articulate forms of “Kurdism” rather than “Kurdish nationalism.” Refuting this underlying misconstruction of the nexus between Pan-Islamism, Ottomanism, and Kurdish nationalism, this book argues, based on empirical findings, that the Kurdish periodicals of the late Ottoman period served as a communicative space in which Kurdish intellectuals negotiated and disseminated an unmistakable form of Kurdish nationalism. It claims that hegemonic Ottomanist and Pan-Islamist political thought were used in pragmatic ways in the service of burgeoning Kurdish nationalism, but were rejected altogether when they were no longer useful to fostering Kurdish nationalism.
The examination of literary genres in the Middle East opens the possibility of gaining new insights into the intellectual universe of Middle Eastern societies, the question of production of meaning, what “literature” meant in different historical periods, and the underlying epistemology of producing knowledge, and how this epistemology has changed over time. This book comprises 12 case studies from the three major Middle Eastern languages – Arabic, Persian, and Turkish – written by experts in the field. It brings together a wide range of approaches – from the study of epics to an analysis of travelogues, and from classical poetry to novels. Instead of focusing on one period or juxtaposing the classical genres and the West-induced development of “modern genres,” the studies in their totality apply a broad diachronic and synchronic perspective, with the potential to create a comparative framework for the study of the sociocultural and narratological dimensions of genre in the Middle East.