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The Hands of the Living God
"[This is] a book about art (and writing about art), about emptiness, breathing, ordinary language, mysticism, the body, the sexes, childhood, parenting, impersonality, God, theory, exchange, change, tact, forms of inattention, belief, scepticism ..." Adam Phillips, from the new introduction.
Everyday Stories
It has often been argued that literature that tries to copy reality can't succeed, because the world is one thing, and words another. This is to forget that ordinary daily life is already full of words and images and stories: we spend our days talking and writing about what's going on, what happened, and who might be feeling what about whom and why. Everyday Stories makes us think again about the ordinary life we are in, day afterday and day by day: always the same, and always slightly changing. Entering into the single day, drawing out the stories that surround us, this book goes into everyday stories of many descriptions, old and new:both in literature and in that story-laden place and time we call real life.
Victorian Quest Romance
This book views the Victorian quest romance genre in the light of debates within the then nascent sciences of Anthropology and Archaeology.
On Not Being Able To Paint
Milner’s great study discusses the nature of creativity and those forces which prevent its expression. With a new introduction by Janet Sayers this book brings the text to the present generation of readers in the field of psychoanalysis
The Cambridge Companion to Scottish Literature
A unique introduction, guide and reference work for students and readers of Scottish literature from the pre-medieval period.
Folklore and the Fantastic in Nineteenth-Century British Fiction
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Poetics of the Iconotext
Poetics of the Iconotext makes available for the first time in English the theories of the respected French text/image specialist, Professor Liliane Louvel. A consolidation of the most significant theoretical materials of Louvel's two acclaimed books, L'Oeil du Texte: Texte et image dans la littérature anglophone and Texte/Image: Images à lire, textes à voir, this newly conceived work introduces English readers to the most current thinking in French text/image theory and visual studies. Focusing on the full spectrum of text/image relations, from medieval illuminated manuscripts to digital books, Louvel begins by introducing key terms and situating her work in the context of significant de...
Ending the War Between Humanity and Nature
This book offers plausible explanations for people’s puzzling unwillingness to address the human-nature interactions that have led us to the precipice that is climate change today. Humanity and nature are at war; the evidence is all around us: catastrophic weather events, rising sea levels, extinction of species, famine, wildfires, melting polar ice, millions of environmental refugees, and toxic pollution of air, water, and soil. The list goes on and on. What is causing this war, and how can it be stopped? Is this war an unintended consequence of economic and environmental imperatives pulling in opposite directions? This book takes the question—and its answer—to a deeper level. It argues that the root cause of our war on nature might be found in the time-honored, historically deep myths, narratives and stories we tell ourselves—and have been telling ourselves for centuries—about humanity’s place in (or out of) the natural world.
A Life of One's Own
How often do we ask ourselves, ‘What will make me happy? What do I really want from life?’ In A Life of One’s Own Marion Milner explores these questions and embarks on a seven year personal journey to discover what it is that makes her happy. On its first publication, W. H. Auden found the book ‘as exciting as a detective story’ and, as Milner searches out clues, the reader quickly becomes involved in the chase. Using her own personal diaries, kept over many years, she analyses moments of everyday life and discovers ways of being, of looking, of moving, that bring surprising joy – ways which can be embraced by anyone. With a new introduction by Rachel Bowlby this classic remains a great adventure in thinking and living and will be essential reading for all those interested in reflecting on the nature of their own happiness – whether readers from a literary, an artistic, a historical, an educational or a psychoanalytic/psychotherapeutic background.
Victorian Gothic
The first multi-disciplinary scholarly consideration of the Victorian Gothic These 14 chapters, each written by an acknowledged expert in the field, provide an invaluable insight into the complex and various Gothic forms of the nineteenth century. Covering a range of diverse contexts, the chapters focus on science, medicine, Queer theory, imperialism, nationalism, and gender. Together with further chapters on the ghost story, realism, the fin de sic e, pulp fictions, sensation fiction, and the Victorian way of death, the Companion provides the most complete overview of the Victorian Gothic to date.The book is an essential resource for students and scholars working on the Gothic, Victorian literature and culture, and critical theory.Key Features*First multi-authored thorough exploration of the Victorian Gothic*Original research in all chapters*Sets the agenda for future scholarship in the field*Pedagogically awareKey WordsVictorian, Gothic, Science, Gender, Nationalism, Death, Supernatural, Ghost, Death
