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To survive the long shadow of the Third Reich, many children were placed in hiding, forced to keep their true identities--names, religion, places of birth, even gender--secret. Among these "hidden children" was Evelyne Juliette, born in Paris to privileged Hungarian immigrants of high intellect and great passion. Scarcely a year following her birth, France would fall to the Nazis, plunging Europe further into chaos and placing Evi's family among hundreds of thousands on the run. Her father, forced to go underground, never again emerged. Her mother, the indomitable Magda, managed to send her young daughter to temporary safety before being imprisoned in a forced labor camp. Evi, just barely th...
A long overdue rediscovery of one of America's most prolific, important, and essential 20th century women writers.
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Fundamentally concerned with the means by which translation ensures the afterlife of literary and cultural texts, this book examines multiple processes of translation, temporal and spatial, through acts of intercultural exchange and intergenerational transmission.
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A semi-autobiographical portrait of the original Yentl and “an important contribution to the vastly neglected genre of feminist Yiddish literature” (Booklist). In this autobiographical novel—originally published in Yiddish as Der Sheydim Tanz in 1936—Esther Kreitman lovingly depicts a world replete with rabbis, yeshiva students, beggars, farmers, gangsters, seamstresses, and socialists as seen through the eyes of the girl who served as Isaac Bashevis Singer’s inspiration for the story “Yentl, the Yeshiva Boy.” Barred from the studies at which her idealistic rabbi father and precocious brother excel, Deborah revels in the books she hides behind the kitchen stove, her brief forays outside the household, and her clandestine attraction to a young Warsaw rebel. But her family confines and blunts her dreams, as they navigate the constraints of Jewish life in a world that tolerates, but does not approve, their presence. Forced into an arranged marriage, Deborah runs away on the eve of World War into a world that would offer more than she ever dreamed . . . This edition includes memorial pieces by Kreitman’s son and granddaughter.
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This volume, which grew out of a conference of the same name held at Bowling Green State University in March 2006, represents new scholarly perspectives on the way in which the Holocaust is remembered in history, literary studies and theatre. It is a response to changing representations of the Holocaust across generations, disciplines, and in various cultural and national contexts. The contributions address the following questions: How do historians, artists, scholars, and teachers negotiate the language of the Holocaust as survivors die, leaving future generations to respond to the dictum: Never again? How do children and grandchildren of survivors, perpetrators, bystanders transmit the dif...