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A História brasileira na ficção do século XIX
O Guarani (1857) foi um dos mais importantes romances publicados no Brasil no século XIX. Seguindo o sucesso das produções de Walter Scott e Fenimore Cooper, José de Alencar tinha em mente a criação de uma narrativa histórica que mostrasse a formação da nação brasileira. Esta coletânea propõe-se a analisar os diálogos entre o clássico de Alencar e seus antecessores, bem como os ecos dessa obra desde o Oitocentos até os dias de hoje, além de abordar outras narrativas históricas brasileiras. Por outro lado, um livro que trata da representação da História do Brasil na literatura oitocentista não poderia deixar de fora o mais importante escritor brasileiro desse período: Machado de Assis. Apesar de não ter escrito narrativas históricas propriamente ditas, é na obra de Machado que provavelmente se encontra o olhar mais arguto sobre a nossa nação e suas condições históricas no Oitocentos.
Rain Forest Literatures
Native texts of the Amazonian rain forest have been viewed as myth or ethnographic matter-the raw material of literature-rather than as significant works in their own right. But in this unprecedented study, Lzcia Sa approaches indigenous texts as creative works rather than source material. Disclosing the existence and nature of longstanding, rich, and complex Native American literary and intellectual traditions that have typically been neglected or demeaned by literary criticism, Rain Forest Literatures analyzes four indigenous cultural traditions: the Carib, Tupi-Guarani, Upper Rio Negro, and Western Arawak. In each case, Sa considers principal native texts and, where relevant, their public...
The Marble Dance
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History and Truth
History and Truth deals with the epistemological premises and the objectivity of historical truth as well as the social conditioning of historical cognition. Both the problem of the model of cognitive relationship and the problem of truth are discussed in the context of true cognition. Comprised of eight chapters, this book begins with an overview of historians' conflicting interpretations regarding the causes of the French Revolution to highlight the tendency of historians to differ in their visions of the historical process, resulting in different and sometimes even contradictory representations of one and the same fact. The discussion then turns to three models of the process of cognition...
Fluxo-Floema
Fluxo-Floema is a detective novel of sorts--pornographic, scatological, and spiritual--that ultimately references the failure and success of writing. It's about vocabulary, astrology, dramaturgy, science, a story within a story within a story. It's a celestial map to social interaction and the failure of connection, a crafted examination of the distortions of religion and piety. Here we, the reader, visit nonsense, pathos, violence, and the flights of fancy of human coexistence.
What Can I Do When Everything's On Fire?: A Novel
A soaring, symphonic epic by the Portuguese master novelist, considered to be the "heir to Conrad and Faulkner" (George Steiner). The razor-thin line between reality and madness is transgressed in this Faulknerian masterpiece, António Lobo Antunes's first novel to appear in English in five years. What Can I Do When Everything's On Fire?, set in the steamy world of Lisbon's demimonde—a nightclub milieu of scorching intensity and kaleidoscopic beauty, a baleful planet populated by drag queens, clowns, and drug addicts—is narrated by Paolo, the son of Lisbon's most legendary transvestite, who searches for his own identity as he recalls the harrowing death of his father, Carlos; the life of Carlos's lover, Rui, a heroin addict and suicide; as well as the other denizens of this hallucinatory world. Psychologically penetrating, pregnant with literary symbolism, and deeply sympathetic in its depiction of society's dregs, Lobo Antunes's novel ventriloquizes the voices of the damned in a poetic masterwork that recalls Joyce's Ulysses with a dizzying farrago of urban images few readers will forget.
Stories Matter
First published in 2002. The doctor patient relationship starts with a story. Doctors' notes, a patient's chart, the recommendations of ethics committees and insurance justifications all hinge on written and verbal narrative interaction. The practice of narrative profoundly affects decision making, patient health and treatment and the everyday practice of medicine. In this edited collection, the contributors provide conceptual foundations, practical guidelines and theoretical considerations central to the practice of narrative ethics.
Reconstructing Illness
Serious illness and mortality, those most universal, unavoidable, and frightening of human experiences, are the focus of this pioneering study which has been hailed as a telling and provocative commentary on our times. As modern medicine has become more scientific and dispassionate, a new literary genre has emerged: pathography, the personal narrative concerning illness, treatment, and sometimes death. Hawkins's sensitive reading of numerous pathographies highlights the assumptions, attitudes, and myths that people bring to the medical encounter. One factor emerges again and again in these case studies: the tendency in contemporary medical practice to focus primarily not on the needs of the ...
