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After Liberation
H.G. Adler (1910–1988) was one of the founding figures of Holocaust scholarship whose monumental monograph Theresienstadt 1941-1945. The Face of a Coerced Community (1955; 1960) was the first study to present a fully documented account of the Final Solution. This collection gathers together, for the first time in English, some of Adler’s most important scholarly essays on the Shoah and connected themes. Ideas raised for the first time in his book on Theresienstadt are here taken up and developed at greater length, new accents are set, and new themes are explored. Spanning his thought across three decades they focus on the fate of the ‘coerced’ human being and reflect on freedom, enslavement, terror, concentration camps, persecution, the mass society, dread, loneliness, and ideology.
Playing with Fire
This collection of historical and scientific studies shows the impressive significance of the invention, development, and use of the lightning rod in the past 250 years. The rod was a device long taken to be a symbol of enlightenment and utility, judged by some people the very first practical application of the experimental physical sciences to truly practical ends; opposition to its introduction was similarly taken to be a sign of superstition. These essays move beyond the lightning rods’ storied revolutionary symbolism to explore the range of techniques and experiments that fashioned conductors and their varied meanings. “An intriguing and entertaining history of one of modernity’s most cherished technoscientific objects.” Illustrations.
Etymology
This historical survey enquires into the style, structure, presuppositions, and purposes of etymological enquiries over the past two centuries, and contrasts them with the practice of etymology in Antiquity and the Middle Ages.
The Italian Traditions & Puccini
“A major contribution . . . not only to Puccini studies but also to the study of nineteenth-century Italian opera in general.” —Nineteenth-Century Music Review In this groundbreaking survey of the fundamentals, methods, and formulas that were taught at Italian music conservatories during the 19th Century, Nicholas Baragwanath explores the compositional significance of tradition in Rossini, Bellini, Donizetti, Verdi, Boito, and, most importantly, Puccini. Taking account of some 400 primary sources, Baragwanath explains the varying theories and practices of the period in light of current theoretical and analytical conceptions of this music. The Italian Traditions and Puccini offers a guide to an informed interpretation and appreciation of Italian opera by underscoring the proximity of archaic traditions to the music of Puccini. “Dense and challenging in its detail and analysis, this work is an important addition to the growing corpus of Puccini studies. . . . Highly recommended.” —Choice
