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Midnight Train to Oravita
The story of a young man's daring escape from communist Romania.
Boyash Studies: Researching “Our People”
The Boyash, also known as Rudari, Lingurari or, inclusively, as “oamenii noștri” (our people), are an ethnic group living today in scattered communities in the Balkans, Central and Eastern Europe, but also in the Americas. What brings the disperse communities of Boyash together is their Romanian mother tongue, (memory of) traditional occupation, common historical origin, and the fact that the majority population considers them Gypsies / Roma. A marginal topic until now, at the crossroads between Romani and Romanian studies, the Boyash studies are today an interdisciplinary field dealing with the experiences of the Boyash over time, in Romania and all the places where they have settled. The editors of this volume intend to mark two centuries of scholarly interest in the Boyash by bringing together researchers from different fields, summing up existing literature and bringing new research to the forefront.
Vampire Over London
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Lugosi
He was born Bela Ferenc Dezso Blasko on October 20, 1882, in Hungary. He joined Budapest's National Theater in 1913 and later appeared in several Hungarian films under the pseudonym Arisztid Olt. After World War I, he helped the Communist regime nationalize Hungary's film industry, but barely escaped arrest when the government was deposed, fleeing to the United States in 1920. As he became a star in American horror films in the 1930s and 1940s, publicists and fan magazines crafted outlandish stories to create a new history for Lugosi. The cinema's Dracula was transformed into one of Hollywood's most mysterious actors. This exhaustive account of Lugosi's work in film, radio, theater, vaudeville and television provides an extensive biographical look at the actor. The enormous merchandising industry built around him is also examined.
Placing Movies
Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films—from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element—Rosenbaum's reflections o...
Aquila
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