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This book of interviews has a parallel structure: on one level it describes the careers of fifteen artists of Italian origin; on another level, invisible and subterranean, it depicts the life of the Italian community in Montreal which, instead of being interpreted, interprets, instead of being a passive object becomes a subject active in and through history, reflecting and refracting it in the course of its own metamorphosis, like the phoenix dying in the night and rising again in the morning. Persons interviewed: Francesco Iacurto, Guido Molinari, Mario Merola, Vittorio Fiorucci, Tonino Caticchio, Camillo Carli, Flippo Salvatore, Marco Fraticelli, Mary Malfi, Mario Campo, Paul Tana, Dominique De Pasquale, Marco Micone, Antonio D'Alfonso, and lamberto Tassinari.
Language was the Italian humanists’ stock-in-trade, rhetoric their core discipline. In this volume Professor Monfasani collects together his most important articles on these subjects. One group of these, including two review essays, focuses specifically on the humanist Lorenzo Valla and on his philosophy of language. The third section of the book opens out the coverage of Italian Renaissance cultural history and includes studies of several new texts - among them a description of the decoration of the Sistine Chapel, and a call for press censorship - and of the religious culture of mid-15th-century Rome. Le langage était l’instrumet de base des humanistes italiens, la rhétorique leur di...