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Cultural Encounters
The 1930s were one of the most important decades in defining the history of the twentieth century. It saw the rise of right-wing nationalism, the challenge to established democracies and the full force of imperialist aggression. Cultural Encounters makes an important contribution to our understanding of the ideological and cultural forces which were active in defining notions of national identity in the 1930s. By examining the work of writers and journalists from a range of European countries who used the medium of travel writing to articulate perceptions of their own and other cultures, the book gives a comprehensive account of the complex intellectual climate of the 1930s.
Literature and the Great War
Among the numerous volumes dedicated to the Great War, this book stands out for its ability to trace, in a thorough but concise manner, an overall picture of the literature born from the conflict. After its introductory pages concerning the forms, times and places of war writing, the book focuses on the story of the months of the eve of the war, on the journey to the front and the discovery of the true face of war, on the stories of the trenches, on the accounts of the imprisonment, and on the return home accompanied by disappointment and disorientation. The book, focused on Italy, but rich in references to European literature, is a journey through history and the human soul, between hopes and fears, illusions and massacres. It is the story of an event that divided the collective history of Europe and individual lives. It is the account, passionate and exciting, of the literary writings born from trauma.
Tosca
Tosca è un'opera lirica in tre atti di Giacomo Puccini, su libretto di Giuseppe Giacosa e Luigi Illica, una breve storia d'amore e di morte. Nella Roma del 1800 dopo il fallimento della Repubblica Romana, quando lo Stato Pontificio sta catturando i rappresentanti ed i sostenitori della Repubblica, le vite del pittore Mario Cavaradossi e della sua amante Tosca, incrociano Cesare Angelotti, patriota fuggito dalle carceri del Papa. Sulle tracce del fuggiasco c'è il capo della polizia pontificia, barone Scampia che, innamorato di Tosca, approfitta della situazione per conquistare la donna. L'opera drammatica finisce come deve finire una tragedia: muore il fuggiasco, muore il cattivo Scampia per mano di Tosca, muore il pittore ed infine muore Tosca suicida (Aonia edizioni).
Aldo Palazzeschi
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The Culture of Consent
A portrait of the dopolavoro, or leisure-time organization, the largest of the regime's mass institutions.
A City in Search of an Author
Poised between the Mediterranean and the Mitteleuropa, crossroads of civilizations and seat of vibrant cultural and literary life, Trieste is now acknowledged as enjoying unrivalled cultural status amongst Italian cities. This volume, the first comprehensive study of Triestine literature in English, originally reassesses TriesteÆs literary identity, paying particular attention to the period between 1918 and 1954 when local writing became intensely aware of its local specificity and some of its central motifs came prominently to the fore. TriesteÆs singular border identity, mirrored in a variegated literary output, emerges here as laden with complexities and ambiguities, such as the controversial notion of triestinita, the ambiguous relation with nationalism, specifically in its Fascist inflection, and the anxieties generated by repeated re-definitions of the areaÆs historical borders.
Materials for Electronic, Magnetic, and Spintronic Technologies
This book consolidates the collective contributions of various authors, presenting a diverse array of materials for systematic property assessment and their subsequent application in electronic, magnetic, and spintronic technologies. Encompassing pure and modified polymers, metals, and semiconductors, the book elucidates the magnetic, photocatalytic, thermal, electrochemical, and other salient characteristics inherent in these materials. Delving into a broad spectrum of applications such as energy storage, environmental remediation (water purification), and biomedical (drug administration), the book carefully examines these materials in the context of their distinctive attributes. By elucida...
Italian Playwrights from the Twentieth Century
Italian theater brings early on stage some of the most signifi cant productions of the 20th century, with major playwrights holding a pivotal role in the renewal of the European stage: Gabriele DAnnunzio, Eduardo De Filippo, Dario Fo, Luigi Chiarelli, Luigi Antonelli, Rosso di San Secondo, Enrico Cavacchioli, Massimo Bontempelli, Dacia Maraini, Ugo Betti, Diego Fabbri, thanks to such innovative movements from the early century called grotteschi and futuristi. If the early Pirandellian plays are added, we will have a comprehensive view of twentieth century theater, and the weight it will carry upon the coming generations.
