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"No other writer in the Spanish-speaking world is as fiercely independent and thoroughly irreverent as Gabriela Wiener. Constantly testing the limits of genre and gender, Wiener's work ... has bravely unveiled truths some may prefer remain concealed about a range of topics, from the daily life of polymorphous desire to the tiring labor of maternity." --Cristina Rivera Garza, author of The Iliac Crest In fierce and sumptuous first-person accounts, renowned Peruvian journalist Gabriela Wiener records infiltrating the most dangerous Peruvian prison, participating in sexual exchanges in swingers clubs, traveling the dark paths of the Bois de Boulogne in Paris in the company of transvestites and ...
From the daring Peruvian essayist and provocateur behind Sexographies comes a fierce and funny exploration of sex, pregnancy, and motherhood that delves headlong into our fraught fascination with human reproduction. Women play all the time with the great power that’s been conferred upon us: it’s fun to think about reproducing. Or not reproducing. Or walking around in a sweet little dress with a round belly underneath that will turn into a baby to cuddle and spoil. When you’re fifteen, the idea is fascinating, it attracts you like a piece of chocolate cake. When you’re thirty, the possibility attracts you like an abyss. Gabriela Wiener is not one to shy away from unpleasant truths or ...
'An intimate story from the family archive, a story that is also the infamous history of our continent' Valeria Luiselli, author of Lost Children Archive 'Powerful and searing' Samanta Schweblin, author of Fever Dream A provocative autobiographical novel that reckons with the legacy of colonialism through one woman's family ties to both colonised and coloniser In an ethnographic museum in Paris, Gabriela Wiener is confronted with her unusual inheritance. She is visiting an exhibition of pre-Columbian artefacts, the spoils of European colonial plunder. As she peers through the glass, she sees sculptures of Indigenous faces that resemble her own - but the man responsible for pillaging them was...
Surreal and gothic, The Iliac Crest is a masterful excavation of forgotten Mexican women writers, illustrating the myriad ways that gendered language can wield destructive power. On a dark and stormy night, two mysterious women invade an unnamed narrator’s house, where they proceed to ruthlessly question their host’s identity. The women are strangely intimate―even inventing together an incomprehensible, fluid language―and harass the narrator by repeatedly claiming that they know his greatest secret: that he is, in fact, a woman. As the increasingly frantic protagonist fails to defend his supposed masculinity, he eventually finds himself in a sanatorium. Published for the first time i...
Retold with stunning modern illustration by the studio team Ale + Ale, The Time Machine is a masterpiece of invention and storytelling from the father of science fiction, H. G. Wells. In this unabridged classic, the time-traveling protagonist is propelled by his machine to the distant year of 802,701 AD. To his horror, he finds only a decaying Earth that is being gradually swallowed by the Sun, and where two strange species—the delicate Eloi and the fierce, subterranean Morlocks—inhabit an eerie dystopia. The Time Machine is a must-read for any science-fiction fan. The collage illustrations complement the story through vivid imagery and detail. Key passages of the book are highlighted in...
From the author of Make Your Home Among Strangers, essays on being an “accidental” American—an incisive look at the edges of identity for a woman of color in a society centered on whiteness In this sharp and candid collection of essays, critically acclaimed writer and first-generation American Jennine Capó Crucet explores the condition of finding herself a stranger in the country where she was born. Raised in Miami and the daughter of Cuban refugees, Crucet examines the political and personal contours of American identity and the physical places where those contours find themselves smashed: be it a rodeo town in Nebraska, a university campus in upstate New York, or Disney World in Flo...
In this rich, eye-opening, and uplifting digital anthology, dozens of esteemed writers, poets, and artists from more than thirty countries send literary dispatches from life during the pandemic. Net proceeds benefit booksellers in need. As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. I...
A son looks back on the family history that shaped him and led to his father's leading role in a brutal dictatorship.
When you fill up your car, install your furniture or choose a wedding ring, do you ever consider the human cost of your consumables? There is a war raging in the heartlands of Peru, waged on the land by the global industries plundering the Amazon and the Andes. In Saweto, charismatic activist Edwin Chota returns to his ashaninka roots, only to find that his people can't hunt for food because the animals have fled the rainforest to escape the chainsaw cacophony of illegal logging. Farmer Maxima Acua is trying to grow potatoes and catch fish on the land she bought from her uncle - but she's sitting on top of a gold mine, and the miners will do anything to prove she's occupying her home illegal...
McSweeney's 65: Plundered spans the Americas, from a bone-strewn Peruvian desert to inland South Texas, and considers the violence that shaped it. In fifteen bracing stories, the collection delves into extraction, exploitation, and, crucially, defiance. How does a community, an individual, resist the plundering of land and peoples? Guest-edited by acclaimed author Valeria Luiselli, with Heather Cleary, Issue 65 brings together stories of stolen artifacts and endless job searches, of nationality-themed amusement parks and cultish banana plantations. Including contributors from Brazil, Cuba, Bolivia, Mexico, Argentina, Ecuador, the United States, and more, Plundered is a panoramic portrait of a hemisphere on fire. Praise for McSweeney's Quarterly A key barometer of the literary climate.-The New York Times McSweeney's is so much more than a magazine; it's a vital part of our culture. -Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition