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Das Loch
  • Language: de
  • Pages: 72

Das Loch

  • Type: Book
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  • Published: 1999-01-01
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  • Publisher: Unknown

None

Sigmar Polke
  • Language: en
  • Pages: 122

Sigmar Polke

  • Categories: Art
  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

A masterful view of Polke's early drawings, which demonstrate the versatility and wry commentary that have made this German artist a lasting force in the international art world.

Sonderdruck 1984 - 1994. Zehn Jahre Verlag Gachnang & Springer
  • Language: de
  • Pages: 54

Sonderdruck 1984 - 1994. Zehn Jahre Verlag Gachnang & Springer

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

None

Drawing from the Modern
  • Language: en
  • Pages: 236

Drawing from the Modern

Published on the occasion of the exhibition held at the Museum of Modern Art, New York, Mar. 30-Aug. 29, 2005.

KRISTALLGESICHT.
  • Language: en
  • Pages: 219

KRISTALLGESICHT.

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

None

Neoliberalism, Oligarchy and Politics of the Event
  • Language: en
  • Pages: 250

Neoliberalism, Oligarchy and Politics of the Event

Based on insight into Foucault’s lectures on biopolitics, which consider the notion of neoliberalism for all future relationships between individuals and society, and the state and the economy, this book shows that the oligarchic model of politics and culture management today is a result of the rise and fall of mass political movements. The ideologies of the end of the twentieth century with which neo-liberalism perfectly establishes a balance are reflected in the combination of technoscience, rational choice and individualism. In this way, the rule is reversed into a cybernetic market as a management model. Today, transnational corporations control the states and their political subjects,...

Songs in the Key of Z
  • Language: en
  • Pages: 306

Songs in the Key of Z

Irwin Chusid profiles a number of "outsider" musicians - those who started as "outside" and eventually came "in" when the listening public caught up with their radical ideas. Included are The Shaggs, Tiny Tim, Syd Barrett, Joe Meek, Captain Beefheart, The Cherry Sisters, Daniel Johnston, Harry Partch, Wesley Wilis, and others.

A Dictionary of the Avant-Gardes
  • Language: en
  • Pages: 735

A Dictionary of the Avant-Gardes

  • Type: Book
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  • Published: 2013-05-13
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  • Publisher: Routledge

A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.

Description in Literature and Other Media
  • Language: en
  • Pages: 353

Description in Literature and Other Media

  • Categories: Art
  • Type: Book
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  • Published: 2007
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  • Publisher: Rodopi

A third section on description in music provides a perspective on yet another medium.The volume, which is the second one in the series 'Studies in Intermediality?, is of relevance to students and scholars from various fields: intermedial studies, literary and film studies, history of art, and musicology.ContentsPreface IntroductionWerner WOLF: Description as a Transmedial Mode of Representation: General Features and Possibilities of Realization in Painting, Fiction and Music Description in Literature and Related (Partly) Verbal MediaAnsgar NUNNING: Towards a Typology,

Metafilm Music in Jean-Luc Godard's Cinema
  • Language: en
  • Pages: 521

Metafilm Music in Jean-Luc Godard's Cinema

"This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of ...