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Edited by Vera Munro. Text by Noemi Smolek.
An exquisite and singular book that presents an award-winning international artist's personal view about how paintings are conceived, made and interpreted. With a career stretching four decades, award-winning British artist Paul Winstanley has established an international reputation for his highly atmospheric photorealistic paintings of empty non-descript places and anonymous figures. According to the chief art critic of the Los Angeles Times, his carefully balanced minimalist compositions conjure 'a lovely, contemplative expressiveness', while Time Out New York wrote that 'with considered - and considerable - nuance and deftness, [he] makes a case for the continuing relevance of painting an...
After working with American photographer and filmmaker William Klein, Bustamante held his first exhibition in 1982 and met the sculptor Bazile. They collaborated for three years, which lead Bustamante to experiment with other media. He advocates a reciprocal relationship between artist and spectator, in which both parties engage in the aesthetic definition of a piece. He rejects notions of documentary and fixed aesthetics, relying instead on the fluid and meditative nature of art. Bustamante is internationally acclaimed; his work has been exhibited at the Tate Gallery, the Jeu de Paume, and the Documenta. In 2003, Bustamante represented France at the 50th Venice Biennial.
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