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This book breaks new ground by systematically examining China's capitalist transformation through several comparative lenses. The great majority of research on China to date has consisted of single-country studies. This is the result of the methodological demands of studying China and a sense of the country's distinctiveness due to its grand size and long history. The moniker Middle Kingdom, a direct translation of the Chinese-language word for China, is one of the most prominent symbols of the country's supposed uniqueness. Composed of contributions from leading specialists on China's political economy, this volume demonstrates the benefits of systematically comparing China with other countries, including France, Russia, Japan, South Korea, Indonesia, India, Brazil, and South Africa. Doing so puts the People's Republic in a light not available through other approaches, and it provides a chance to consider political theories by including an important case too often left out of studies.
This book employs multiple case studies to explore how the Chinese communist revolution began as an ideology-oriented intellectual movement aimed at improving society before China’s transformation into a state that suppresses dissenting voices by outsourcing its power of coercion and incarceration. The author examines the movement’s methods of early self-organization, grass-roots level engagement, creation of new modes of expression and popular art forms, manipulation of collective memory, and invention of innovative ways of mass incarceration. Covering developments from 1920 to 1970, the book considers a wide range of Chinese individuals and groups, from early Marxists to political pris...
A vital account of how some of China's most important writers, filmmakers, and artists haver overcome crackdowns and censorship to challenge the Chinese Communist Party on its most sacred ground, its monopoly on history"
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
When the Chinese Communist Party came to power in 1949, Mao Zedong declared that "not even one person shall die of hunger." Yet some 30 million peasants died of starvation and exhaustion during the Great Leap Forward. Eating Bitterness reveals how men and women in rural and urban settings, from the provincial level to the grassroots, experienced the changes brought on by the party leaders' attempts to modernize China. This landmark volume lifts the curtain of party propaganda to expose the suffering of citizens and the deeply contested nature of state-society relations in Maoist China.
This book investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was "qi", literally, "different"; but secondarily, "odd," like a number and by extension, "the novel," and "extraordinary." This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible "traditional Chinese" value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of "qi" as "originality" from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes, and explains how the value lost its luster at the end of the seventeenth century.
What does the rise of China represent, and how should the international community respond? With a holistic rereading of Chinese longue durée history, Fei-Ling Wang provides a simple but powerful framework for understanding the nature of persistent and rising Chinese power and its implications for the current global order. He argues that the Chinese ideation and tradition of political governance and world order—the China Order—is based on an imperial state of Confucian-Legalism as historically exemplified by the Qin-Han polity. Claiming a Mandate of Heaven to unify and govern the whole known world or tianxia (all under heaven), the China Order dominated Eastern Eurasia as a world empire ...
The definitive story of a top Chinese politician’s ill-fated quest to reform the Communist Party. When Hu Yaobang died in April 1989, throngs of mourners converged on the Martyrs’ Monument in Tiananmen Square to pay their respects. Following Hu’s 1987 ouster by party elders, Chinese propaganda officials had sought to tarnish his reputation and dim his memory, yet his death galvanized the nascent pro-democracy student movement, setting off the dramatic demonstrations that culminated in the Tiananmen massacre. The Conscience of the Party is the comprehensive, authoritative biography of the Chinese Communist Party’s most avid reformer and its general secretary for a key stretch of the 1...