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On 10 May 1941, Rudolf Hess, Deputy Fuhrer of the Third Reich, entered Scottish airspace in an ill-fated attempt to discuss peace with the Duke of Hamilton. For the Nazis, Hess was the victim of 'tragic hallucinations'. But how far had Hess really flown from reality? Although Fascism in Britain is normally associated with England, and especially the East End of London, and even then dismissed as a marginal political phenomenon, Fascism did find support in Scottish society. Scotland has provided its own cohort of idealists, fanatics and traitors for extreme racist, nationalist and authoritarian politics. From Dumfries to Alness, one of the main ideologies of the first half of the twentieth century found its standard-bearers. But when Fascism crossed the Cheviots, it found itself in a restless part of a multi-nation state, riven by sectarian hatreds. Rudolf Hess felt the natives looked at him 'in a compassionate way', but Scottish Fascism had to carve out a niche in a crowded market for bigotry. In this book Gavin Bowd relates a fascinating and little-known part of our history which reveals some uncomfortable truths which are bound to stimulate debate even now.
Tropicality is a centuries-old Western discourse that treats otherness and the exotic in binary – ‘us’ and ‘them’ – terms. It has long been implicated in empire and its anxieties over difference. However, little attention has been paid to its twentieth-century genealogy. This book explores this neglected history through the work of Pierre Gourou, one of the century’s foremost purveyors of what anti-colonial writer Aimé Césaire dubbed tropicalité. It explores how Gourou’s interpretations of ‘the nature’ of the tropical world, and its innate difference from the temperate world, were built on the shifting sands of twentieth-century history – empire and freedom, modernit...
This innovative book is an interaction based on a series of interviews between the artist Ralph Rumney and the writer Alan Woods. Rumney's extraordinary life is chronicled here, as well as his works over the last 45 years. He is the only British founder-member of Situationist International, and the lone founder of the London Psychogeographical Society. Complementing the open elements of play and discovery inherent in Rumney's psychogeography is an almost Duchamp-esque interest in the applicability of games. This volume contains over 100 illustrations, many of which have not been previously reproduced.
Selected poems from the critically acclaimed author of Atomised and Submission Dual-language edition This selection of poems chosen from four collections shines a fresh light on Michel Houellebecq and emphasises the radical singularity of his work. Drawing on similar themes as his novels, Unreconciled is a journey into the depths of individual experience and universal passions. Divided into five parts, Unreconciled forms a narrative of love, hopelessness, catastrophe and, ultimately, redemption. In a world of supermarkets and public transport, Houellebecq manages to find traces of divine grace even as he exposes our inexorable decline into chaos. Told through forms and rhythms that are both ancient and new, with language steeped in the everyday, Houellebecq’s vision of our era is one brimming with tensions that cannot – and will not – be reconciled.
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Importing Fascism analyses the mechanisms of the Italian fascist regime in incorporating the Italian-Scottish diaspora into their nation- and fascism-building project via its transnational efforts between the rise of fascism in 1922 and Italy’s declaration of war on Britain in June 1940. Drawing extensively on a range of unpublished Italian and British sources from local and national archives as well as original contemporary press, the book reconstructs minutely the activities of the fasci in Scotland and demonstrates the impact fascism had on forging Italians’ community and national identity. Moreover, by shedding light on this largely neglected chapter of the history of fascism and Scotland’s Italian diaspora, the monograph offers new points of reflection on long-standing issues of cultural, political, and propaganda activity under the regime. This volume is ideal for postgraduate students and scholars of fascism, modern Italian and British history, and diaspora studies.
This book appraises the relationship between contemporary feminism and Julia Kristeva, a major figure in Continental thought. It addresses the conflicting range of feminist responses to Kristeva's key ideas and Kristeva's equally conflicting as well as am
This volume will be of interest to everyone seeking to understand the relationship between war as an historical narrative and its representation in the arts and in culture, notably in literature, film, theatre and music. More specifically, it will be of the greatest interest to undergraduates, postgraduates, researchers and academics in a wide range of disciplines, including literary studies, film and drama studies, music, and history. The Introduction, by Jay Winter, sets the context, particularly with reference to the First World War, while the Conclusion summarises the significance of the research undertaken and its value for future research. This book will also have an impact on writers, publishers and organizers of exhibitions, museums, memorial sites and monuments whose influence in the field of war and memory has been increasing steadily in recent years. The imminent celebrations and commemorations pertaining to the Great War, beginning in 2014, together with the imminence of the seventieth anniversary of the end of the Second World War in 2015, will provide additional stimuli to public attention in this area over the next few years.
Poet and critic Robert Crawford explores in eloquent detail the literary-cultural background to Scottish nationalism in the lead-up to the referendum on independence for Scotland from the United Kingdom in September 2014. He begins with the totemic Battle of Bannockburn in 1314, in which the Scots routed the English and preserved their independence until the two nations' parliaments united in 1707. Paying particular attention to Robert Burns and continuing up to the present day, he examines how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence. Publication coincides with the 700-year anniversary of the Battle of Bannockburn.
Theatre in the Expanded Field is a fiercely original, bold and daring exploration of the fields of theatre and performance studies and the received narratives and histories that underpin them. Rich with interdisciplinary reference, international, eclectic and broad-ranging in its examples, it offers readers a compelling and provocative reassessment of the disciplines, one that spans pre-history to the present day. Sixty years ago, in 1962, Richard Southern wrote a remarkable book called The Seven Ages of the Theatre. It was unusual in its time for taking a trans-disciplinary, new-historical and avowedly internationalist approach to its subject - nothing less than a totalizing view of its fie...