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Fascist Scotland
On 10 May 1941, Rudolf Hess, Deputy Fuhrer of the Third Reich, entered Scottish airspace in an ill-fated attempt to discuss peace with the Duke of Hamilton. For the Nazis, Hess was the victim of 'tragic hallucinations'. But how far had Hess really flown from reality? Although Fascism in Britain is normally associated with England, and especially the East End of London, and even then dismissed as a marginal political phenomenon, Fascism did find support in Scottish society. Scotland has provided its own cohort of idealists, fanatics and traitors for extreme racist, nationalist and authoritarian politics. From Dumfries to Alness, one of the main ideologies of the first half of the twentieth century found its standard-bearers. But when Fascism crossed the Cheviots, it found itself in a restless part of a multi-nation state, riven by sectarian hatreds. Rudolf Hess felt the natives looked at him 'in a compassionate way', but Scottish Fascism had to carve out a niche in a crowded market for bigotry. In this book Gavin Bowd relates a fascinating and little-known part of our history which reveals some uncomfortable truths which are bound to stimulate debate even now.
The Map is Not the Territory
This innovative book is an interaction based on a series of interviews between the artist Ralph Rumney and the writer Alan Woods. Rumney's extraordinary life is chronicled here, as well as his works over the last 45 years. He is the only British founder-member of Situationist International, and the lone founder of the London Psychogeographical Society. Complementing the open elements of play and discovery inherent in Rumney's psychogeography is an almost Duchamp-esque interest in the applicability of games. This volume contains over 100 illustrations, many of which have not been previously reproduced.
The Last Communard
The story of an unexpected hero The Last Communard offers a brilliant, striking portrait of revolutionary Europe through a remarkable personal story. In 1871, Adrien Lejeune fought on the barricades of the Paris Commune. He was imprisoned for treason when the Commune fell and narrowly avoided execution for his role in the struggle for a new future. In later life, he immigrated to Soviet Russia, finding fame as a revolutionary icon. In his native country, he was vaunted as a hero, a touchstone of revolutions past during France’s interwar dramas. Abandoned by the Soviet regime, he languished, fortunes foundering, in Russia. Having led a long and extraordinary life, he died in Siberia in 1942...
Rootedness
Roots are good to think with indeed most of us use them as a metaphor every day. A root can signify the hiddenness of our beginnings, or, in its bifurcating structure, the various possibilities in the life of an individual or a collective. This book looks at rootedness as a metaphor for the genealogical origins of people and their attachment to place and how this metaphor transformed so rapidly in twentieth-century Europe. Christy Wampole s case study is France, with its contradictory legacies of Enlightenment universalism, anti-Semitism, and colonialism. At one time, French nationalist rhetoric portrayed the Jews as unrooted and thus unrighteous people. After the two world wars, the root me...
Impure and Worldly Geography
Tropicality is a centuries-old Western discourse that treats otherness and the exotic in binary – ‘us’ and ‘them’ – terms. It has long been implicated in empire and its anxieties over difference. However, little attention has been paid to its twentieth-century genealogy. This book explores this neglected history through the work of Pierre Gourou, one of the century’s foremost purveyors of what anti-colonial writer Aimé Césaire dubbed tropicalité. It explores how Gourou’s interpretations of ‘the nature’ of the tropical world, and its innate difference from the temperate world, were built on the shifting sands of twentieth-century history – empire and freedom, modernit...
Bannockburns
Poet and critic Robert Crawford explores in eloquent detail the literary-cultural background to Scottish nationalism in the lead-up to the referendum on independence for Scotland from the United Kingdom in September 2014. He begins with the totemic Battle of Bannockburn in 1314, in which the Scots routed the English and preserved their independence until the two nations' parliaments united in 1707. Paying particular attention to Robert Burns and continuing up to the present day, he examines how writers have set out in poetry, fiction, plays and on film the ideal of Scottish independence. Publication coincides with the 700-year anniversary of the Battle of Bannockburn.
Unreconciled
Selected poems from the critically acclaimed author of Atomised and Submission Dual-language edition This selection of poems chosen from four collections shines a fresh light on Michel Houellebecq and emphasises the radical singularity of his work. Drawing on similar themes as his novels, Unreconciled is a journey into the depths of individual experience and universal passions. Divided into five parts, Unreconciled forms a narrative of love, hopelessness, catastrophe and, ultimately, redemption. In a world of supermarkets and public transport, Houellebecq manages to find traces of divine grace even as he exposes our inexorable decline into chaos. Told through forms and rhythms that are both ancient and new, with language steeped in the everyday, Houellebecq’s vision of our era is one brimming with tensions that cannot – and will not – be reconciled.
Ethos and Narrative Interpretation
Ethos and Narrative Interpretation examines the fruitfulness of the concept of ethos for the theory and analysis of literary narrative. The notion of ethos refers to the broadly persuasive effects of the image one may have of a speaker’s psychology, world view, and emotional or ethical stance. How and why do readers attribute an ethos (of, for example, sincerity, reliability, authority, or irony) to literary characters, narrators, and even to authors? Are there particular conditions under which it is more appropriate for interpreters to attribute an ethos to authors, rather than to narrators? In the answer Liesbeth Korthals Altes proposes to such questions, ethos attributions are deeply im...
Mnemosyne and Mars
This volume will be of interest to everyone seeking to understand the relationship between war as an historical narrative and its representation in the arts and in culture, notably in literature, film, theatre and music. More specifically, it will be of the greatest interest to undergraduates, postgraduates, researchers and academics in a wide range of disciplines, including literary studies, film and drama studies, music, and history. The Introduction, by Jay Winter, sets the context, particularly with reference to the First World War, while the Conclusion summarises the significance of the research undertaken and its value for future research. This book will also have an impact on writers, publishers and organizers of exhibitions, museums, memorial sites and monuments whose influence in the field of war and memory has been increasing steadily in recent years. The imminent celebrations and commemorations pertaining to the Great War, beginning in 2014, together with the imminence of the seventieth anniversary of the end of the Second World War in 2015, will provide additional stimuli to public attention in this area over the next few years.
