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Today You Are My Favorite Poet is a refreshing look at the art of poetry writing. It is also a vigorous exploration of a variety of approaches-involving form, style, content, and attitude. Hewitt offers proven strategies for writing and revision, provides definitions of a variety of poetic forms, suggests more than thirty writing exercises, outlines a thirty-week poetry curriculum, and best of all, provides numerous models (most of them written by teenagers), all thoughtfully selected to instill confidence in both teacher and student.
Poetry. THE PERFECT HEART documents 45 years' worth of extraordinary work by a poet who is a true heir to Frost and Carruth--their tonalities and breadth of concern and vision, and their grounding in rural Vermont. Geof Hewitt's range and craft, the variety of his short and long poems, are admirable, as is the constancy of his spirit. He is open to a multitude of leadings, never with restricted agendas, and fearlessly takes the reader along as a trusted friend and confidante. This book could aptly be called "Love Tokens," for that's what most of the poems are. This is a collection to celebrate with each reading.
An award-winning anthology of paired poems by men and women. In this insightful anthology, the editors grouped almost 200 poems into pairs to demonstrate the different ways in which male and female poets see the same topics. How women see men, how boys see girls, and how we all see the world—often in very different ways, but surprisingly, wonderfully, sometimes very much the same.
In A Closer Look, Lynne Dorfman and Diane Dougherty provide the tools and strategies you need to use formative assessment in writing workshop. Through Lynne and Diane's ideas, you will be able to' establish an environment where students will internalize ways that they can assess their own writing and become independent writers. Lynne and Diane share methods for collecting and managing information, and show practical, simple, and concise ways to document student thinking. In the accompanying online videos, they demonstrate conferences with individual writers, small groups, and whole groups. Quick, easy-to-manage assessment methods emphasize that formative assessment does not have to take a long time to be worthwhile and effective. Vignettes from classroom teachers, principals, and authors add a variety of perspectives and classroom experiences on this important topic. A Closer Look shows that when students are in charge of their own writing process and set and reach their own goals, writing becomes a vibrant, energetic part of the day. '
Our Other Voices consists of interviews with American poets Wendell Berry, Hayden Carruth, Irving Feldman, Donald Hall, Josephine Jacobsen, Mary Oliver, Karl Shapiro, Derek Walcott, and John Wheatcroft.
Holding Patterns provides a sympathetic criticism of poems, one that avoids the appliance of criticism and that self-consciously persists in close readings of texts as the directing force of its argument. Presently, contemporary literary criticism and contemporary poetry in America seem at cross-purposes. Indeed, current literary critics seldom address the poems of their contemporaries. While structuralists and other schools of critics seek terms, generalizations, and whole systems to account for and to understand poems, poets themselves repeatedly assert that each poem has its own poetic and that no system applies to their writing. This book reads poems by contemporary poets, such as Jorie Graham, Charles Wright, Denis Johnson, and Amy Clampitt, not to illuminate a theory but to shed light on the poem.
Winners of the Story college creative awards contest.
Hardly hidden even beneath the thick skin of country vernacular Killams keen intellect and droll Yankee wit repeatedly endorse common sense and practicality. His northern New England sense of humor oft comes across with the subtlety of a sledgehammer. Little sympathy is shown for business representatives who after utterly failing to address your problem apologetically proceed to ask if there is anything else they can do for you. Focus recurrently pinpoints the lost art of listening, service personnel who fail to provide service and the irony and diffi culty of communicating via modern technology wielding the capacity but not the brainpower. Fun is poked at our current propensity for serving rules and regulations rather than each other. Yet overriding all is an innate concern and compassion for people, particularly for young folk. In this new collection of poems, essays and stories Killam is quick to evoke tears, pathos, laughter; -----to preach or to ridicule; ----- but above all to entertain.
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