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The Hermitage Museum in St Petersburg is one of the greatest museums in the world, with a history stretching back over 300 years. Largely inaccessible to Western visitors during the Soviet period, the Museum's inner workings have remained hidden from view in the intervening years. Now, for the first time, the longstanding Director of the Hermitage Mikhail Piotrovsky and journalist Geraldine Norman lift the lid on the scandals of different kinds which have beset the Hermitage during its fascinating history, from the era of the Museum's founder Catherine the Great to the present. Through the lens of scandal, the book seeks to draw parallels between the recent problems of the Museum and earlier periods of its rich history. Covering restitution issues, controversial sales and purchases, thefts, fluctuating attributions, the fight over new art, corruption associated with the construction of the Museum's buildings, politically motivated scandals, and the 'scandal' of the Covid-19 pandemic, the book provides unique insight into the challenges of managing a world-famous institution in a country which has undergone huge political upheavals in the modern period.
Describes the methods used to make artistic, literary, documentary, and political forgeries and the recent scientific advances in their detection. Includes over 600 objects from the British Museum and many other major collections, from ancient Babylonia to the present day.
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The former director of the Metropolitan Museum of Art examines the world of art forgery, from ancient times to the present, sharing anecdotes about some of the costliest, most embarrassing forgeries ever, as well as the motives of the fakers.
60 Minutes brings its award-winning journalistic skills and unmistakable broadcast style to the page, delving into its archives to present stories on one of the program's most popular subjects: the con man. Con Men exposes a truly eclectic group of swindlers and rogues: the extraordinary characters of ABSCAM, pyramid-scheme millionaires and stock-market crooks, snake-oil salesmen and art forgers. Many of them are diabolical -- all of them are intriguing. Here 60 Minutes captures each one in vivid detail: self-proclaimed con man Kirby Hensley, the illiterate purveyor of church ministries to millions via mail-order; Clifford Irving, who fabricated Howard Hughes's "autobiography" for hundreds o...
Ratu Sir Kamisese's thoughtful and entertaining memoir of his personal and political life candidly outlines significant events in the development of Fiji, a plural society for which The Pacific Way holds a special and evocative meaning. The phrase inspired his 1970 partnership with the Indian opposition leader to produce a constitution whereby, in his own words, "people of different races, opinions and cultures can live and work together for the good of all, can differ without rancour, govern without malice, and accept responsibility as reasonable people intent on serving the interests of all." After leading Fiji through 17 years of multiracial harmony, he found it ironic that his defeat in ...
Raphael's St. George and the Dragon is the work of a genius -- an exquisitely rendered vision of heroism and innocence by one of the greatest painters of all time. Yet the painting's creation is only the beginning of its fascinating story, which spans centuries of power play and intrigue, and has made it a witness to the rise and fall of the great powers of the Western world as it seduced its owners to ever greater heights of corruption and greed. Raphael's masterpiece was commissioned by Duke Guidobaldo da Montefeltro, the ruler of Urbino, in 1506. Raphael was only twenty-three years old, but he had already begun to acquire a reputation as a painter who was as ruthless in his pursuit of mon...
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han...
Includes drawings by Keating and drawings imitated by Keating.
Revealing a vibrant and intertwined artistic scene in the Balkans On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918–1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged ‘on the very edge’ between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in plu...